This documentary was made three years after Jimi Hendrix's untimely death. At the time it was an example of how a visual biography should be done, but some of the information in it needs ... See full summary »
The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From... See full summary »
Portrait of the artist as a young man. In spring, 1965, Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker's camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence of Dylan holding up words to the soundtrack's "Subterranean Homesick Blues," Dylan is playful and enigmatic. Written by
Contrary to popular belief, the title is not a reference to the lyric "She's an artist, she don't look back" from the song "She Belongs to Me". Pennebaker stated that he hoped Dylan knew he wouldn't do that. See more »
You know the audience that subscribe to TIME Magazine, the audience of people that want to know what's happening in the world week by week, the people that work during the day and can read it, its small, alright and it's concise and there's pictures in it, you know? It's a certain class of people, its a class of people that take the magazine seriously, I mean sure I can read it, you know, I read it , I get it on the airplanes but I don't take it seriously. If I want to find out anything, I'm ...
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If you're a Bob Dylan fan, do yourself a favor and rent the DVD version of "Don't Look Back." It includes an optional audio track of commentary from director D.A. Pennebaker and Bob Neuwirth, Dylan's pal and "tour manager" who was along for the ride on the '65 tour of England this film documents. Their thoughts are interesting, often insightful, occasionally hilarious and shed some light on the movie's more esoteric moments. For example, I never realized the extended hotel room scene of Dylan playing the piano was Bob actually _writing_ a piece of music. You'll probably learn something even if you've read all the books (Benson, Heylin, etc.). Oh, and it turns out Albert Grossman _loves_ the way he's portrayed in the movie, according to Pennebaker. Plus there's a fun alternate version of the "Subterranean Homesick Blues" video (which, for the kids out there, was copied in the '80s by INXS for their "Mediate" video) that was shot in a park somewhere, in which Dylan has even less control of the cards than he does in the final cut. Ginsberg is in the background of this one, too.
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