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Dont Look Back (1967)
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Overview
User Rating:
Release Date:
24 February 1968 (Sweden) morePlot:
Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan. full summary | add synopsisAwards:
1 win moreNewsDesk:
(3 articles)
The Real Bob Dylan (From IFC. 13 May 2009, 4:24 AM, PDT)
Looking Back at "Dont Look Back"
(From IFC. 12 May 2009, 6:47 AM, PDT)
User Comments:
One of the quintessential rock-umentaries more (32 total)Cast
(Credited cast)| Bob Dylan | ... | Himself | |
| Albert Grossman | ... | Himself | |
| Bob Neuwirth | ... | Himself | |
| Joan Baez | ... | Herself | |
| Alan Price | ... | Himself | |
| Tito Burns | ... | Himself | |
| Donovan | ... | Himself | |
| Derroll Adams | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Howard Alk | ... | Himself | |
| Jones Alk | ... | Herself | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
96 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFun Stuff
Trivia:
In the opening scene Allen Ginsberg appears behind Bob Dylan as he flips the note cards. moreFAQ
This FAQ is empty. Add the first question.more (32 total)
Message Boards
Discuss this movie with other users on IMDb message board for Dont Look Back (1967)| Recent Posts (updated daily) | User |
|---|---|
| Joan Baez songs | chicky0948 |
| Which is better? Dont Look Back / No Direction Home | jnhuffman |
| Pete Townshend? | mpanzir |
| Age Appropriate? | contog |
| Sunglasses | mifune1 |
| The Glass | chicky0948 |
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It is my understanding this is one of the first, and in my opinion easily one of the best rock-umentaries ever made. This film is about, possibly the most brilliant and enigmatic pop icon in the last 100 years, during one of the bravest and most dynamic phases of his career. An absolutely wonderful film. I understand that every frame needed Dylan's approval before being released. I applaud him too, as this is not the most flattering portrayal I've ever seen. Actually at times he comes off as a genuine jerk, and I am a monstrous (bordering on irrational) Dylan fan. This is an honest look at a brilliant man, without descending into simple glorification or spin-doctoring. The film has the same sort of "this is how it is, take it or leave it" sensibility that I find Dylan to exemplify. An unrefined gem about an unrefined gem.