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Dont Look Back (1967)

7.9
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Documentary covering Bob Dylan's 1965 tour of England, which includes appearances by Joan Baez and Donovan.

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Title: Dont Look Back (1967)

Dont Look Back (1967) on IMDb 7.9/10

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Cast

Credited cast:
...
Himself
Albert Grossman ...
Himself
Bob Neuwirth ...
Himself
...
Herself
Alan Price ...
Himself
Tito Burns ...
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...
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Derroll Adams ...
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Rest of cast listed alphabetically:
Howard Alk ...
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Jones Alk ...
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Storyline

Portrait of the artist as a young man. In spring, 1965, Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker's camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence of Dylan holding up words to the soundtrack's "Subterranean Homesick Blues," Dylan is playful and enigmatic. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Documentary | Music

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

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Release Date:

24 February 1968 (Sweden)  »

Also Known As:

Don't Look Back  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Shot in 1965 during Dylan's British tour. See more »

Quotes

Bob Dylan: Give the anarchist a cigarette.
See more »

Connections

Featured in The Hour: Episode #7.160 (2011) See more »

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User Reviews

 
One of the quintessential rock-umentaries
11 September 2005 | by See all my reviews

It is my understanding this is one of the first, and in my opinion easily one of the best rock-umentaries ever made. This film is about, possibly the most brilliant and enigmatic pop icon in the last 100 years, during one of the bravest and most dynamic phases of his career. An absolutely wonderful film. I understand that every frame needed Dylan's approval before being released. I applaud him too, as this is not the most flattering portrayal I've ever seen. Actually at times he comes off as a genuine jerk, and I am a monstrous (bordering on irrational) Dylan fan. This is an honest look at a brilliant man, without descending into simple glorification or spin-doctoring. The film has the same sort of "this is how it is, take it or leave it" sensibility that I find Dylan to exemplify. An unrefined gem about an unrefined gem.


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