The July 3rd, 1973 historic concert of the 'leper Messiah'. This was to be David Bowie's last concert with the Ziggy persona and the Spiders from Mars. A great medley of 'Wild Eyed Boy From... See full summary »
Portrait of the artist as a young man. In spring, 1965, Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker's camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It's the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence of Dylan holding up words to the soundtrack's "Subterranean Homesick Blues," Dylan is playful and enigmatic. Written by
It is my understanding this is one of the first, and in my opinion easily one of the best rock-umentaries ever made. This film is about, possibly the most brilliant and enigmatic pop icon in the last 100 years, during one of the bravest and most dynamic phases of his career. An absolutely wonderful film. I understand that every frame needed Dylan's approval before being released. I applaud him too, as this is not the most flattering portrayal I've ever seen. Actually at times he comes off as a genuine jerk, and I am a monstrous (bordering on irrational) Dylan fan. This is an honest look at a brilliant man, without descending into simple glorification or spin-doctoring. The film has the same sort of "this is how it is, take it or leave it" sensibility that I find Dylan to exemplify. An unrefined gem about an unrefined gem.
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