Lisa Dolittle sends her daughter to 'Durango', a Dude Ranch, to find herself. While there, she uses her talent to talk to the animals in order to save Durango from being taken over by a neighboring Ranch.
While on a trip to Hollywood to help a celebrity starlet's depressed Chihuahua, Maya Dolittle (Kyla Pratt) gets caught up in the Hollywood glitz and glamour when she is offered her own TV ... See full summary »
Brandon Jay McLaren
A diplomat is nearly assassinated. In order to save him, a submarine is shrunken to microscopic size and injected into his blood stream with a small crew. Problems arise almost as soon as they enter the bloodstream.
More fun from Marley and this time he speaks! The worlds worst dog now has an attitude and a frisky voice. He and his summer pal, Bodi Grogan cause mayhem at the local dog contest. Marley outsmarts lots of other dogs while winning hearts.
Doctor Dolittle is a world-renowned veterinarian who speaks a wide array of animal languages. He sets off from his home in Puddleby-on-the-Marsh, England, in search of the Great Pink Sea Snail. In so doing, he and his friends meet such exotic creatures as the Pushme-Pullyu and the Giant Lunar Moth. This musical is the source of the hit song, "If I Could Talk To The Animals." Written by
Randy Goldberg <email@example.com>
"Doctor Dolittle" grew out of a massive attempt by Twentieth Century-Fox to duplicate its earlier success with The Sound of Music (1965) by producing three expensive, large-scale musicals over a period of three years, Star! (1968) and Hello, Dolly! (1969) being the others. All were released amidst massive pre-release publicity and all lost equally massive amounts of money for the studio. The result was that several top studio executives lost their jobs, and the studio itself went into such dire financial straits that it only produced one picture for the entire calendar year of 1970. In truth, it would never recoup its losses until a highly successful theatrical reissue of "The Sound of Music" in early 1973. See more »
Dr. Dolittle escapes to the coast with a seal disguised as his grandmother. Soldiers stop their coach at a bridge. The coach in front of them crosses the same bridge three times. See more »
If one place is as good as any other, it's high time we decided. Otherwise when we get there, we won't know we've arrived.
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So attached am I to Rex Harrison's personage to the character of Doctor Dolittle, when I see copies of Hugh Lofting's books without the movie tie-in shots I actually feel cheated. There is no other Doctor Dolittle for me. Harrison is wonderful and regal amongst his animals and I love many of his lines (the spin he gives to his dialogue makes the words his own). My favorite: "When you say 'He can speak crab and pelican', they'll say 'Like hell he can!'" (cue parrot's ruffled reaction). Admittedly, "Doctor Dolittle" gets off to a clunky start with Anthony Newley telling of Dolittle's beginnings...and the film goes into stillborn flashback mode. I get defensive if a movie foists a flashback on me in the first 15 minutes (and this flashback is a long one, laden with silly slapstick). Why not start the story with Dolittle finding his voice, cut the introduction with Newley, and then get on with the plot? After this tiresome, talky opening, the pacing does pick up (right about the time Richard Attenborough enters as circus-owner Blossom). Harrison is on-target throughout but, story-wise, momentum doesn't build until the second hour, when Dolittle and his companions hit the South Seas in search of the Great Pink Sea Snail. Overall, the film simply LOOKS smashing, with marvelous locations in England's most beautiful city, Castle Combe. It is flawed (with that bad opening), but stick with it and see if you find Rex Harrison as charming as I did. **1/2 from ****
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