He Who Shoots First
(1966)
|
|
| 0Share... |
He Who Shoots First
(1966)
|
|
| 0Share... |
| Credited cast: | |||
|
|
Glenn Saxson | ... |
Glenn Garvin /
Django
(as Glen Saxson)
|
|
|
Fernando Sancho | ... |
Gordon
|
|
|
Ida Galli | ... |
Jessica Kluster /
Cluster
(as Evelyn Stewart)
|
|
|
Nando Gazzolo | ... |
Ken Kluster /
Cluster
|
|
|
Erika Blanc | ... |
Lucy
|
|
|
José Manuel Martín | ... |
Ringo
(as José M. Martín)
|
|
|
Guido Lollobrigida | ... |
Ward
(as Lee Burton)
|
|
|
Alberto Lupo | ... |
Doc
|
|
|
Diana Lorys |
|
|
|
|
Marcello Tusco | ... |
Cooper
|
|
|
Antonio Piretti | ... |
Lucy's Brother
|
|
|
Valentino Macchi | ... |
Sheriff
|
|
|
Lewis E. Ciannelli | ... |
(English version)
|
|
|
John Hart | ... |
(English version)
|
| Rest of cast listed alphabetically: | |||
|
|
Fortunato Arena | ... |
Cluster Gunman
|
Django's father is framed by his business partner Clusker and shot by a bounty Killer. Django inherits his fathers part of the business and a score to settle with Clusker. Written by Tom Seldon <elpuro@msn.com>
This Spaghetti Western isn't as bad as it's been described in "Stracult", a compilation of essays on Italian B-movies that I purchased at the 2004 Venice Film Festival, but it's certainly not anything special either! Glenn Saxson is a cheerful lead in the Errol Flynn vein, which is incongruous for the genre - at least in this early phase, before comedy set in with the Terence Hill/Bud Spencer films!
Still, the revenge/control-of-a-Western-town plot is fairly engaging - though it has nothing whatsoever to do with the original DJANGO (1966; whose 2-Disc LE Set via Blue Underground, incidentally, I should be receiving soon) - and even includes some nice, original touches: Django taking his outlaw father's corpse (after dispatching the bounty hunter who murdered him) to town to pick up the reward money for himself; a "Three Musketeers"-like subplot involving a beautiful but wicked woman (Evelyn Stewart) and her former husband, friend of the hero, who warns him against her; an amusing double-twist at the end in which, first, heroine Erika Blanc outwits a fleeing (i.e. uncommitted) Django, thus making sure that he goes back to her - followed by a reprisal of the film's opening sequence with the arrival of a new gunslinger in town, this time to challenge Django's own authority! The climax, set inside a graveyard, is also effective - as is Bruno Nicolai's bouncy score.
Having said that, the film is too slowly-paced and, even at a little over 90 minutes, it feels protracted - particularly the silly bar-room brawl towards the end!