Major Reisman is "Volunteered" to lead another mission using convicted army soldiers, sentenced to either death or long prison terms. This time their mission is to kill a Nazi general who ... See full summary »
Telly Savalas assumes the role of the leader of the Dirty Dozen from Lee Marvin. In this movie he and the Dozen are suppose to destroy a nerve gas manufacturing plant before the Germans can... See full summary »
Lee H. Katzin
A Major with an attitude problem and a history of getting things done is told to interview military prisoners with death sentences or long terms for a dangerous mission; To parachute behind enemy lines and cause havoc for the German Generals at a rest house on the eve of D-Day. Written by
John Vogel <email@example.com>
Lee Marvin referred to this movie as "crap" and "just a dummy moneymaker", although he enjoyed the film. The movie has nothing to do with war, he stressed, and he was very pleased that he got to do The Big Red One (1980), which mirrored his own wartime experiences. See more »
During closing credits, Gilpin is listed as "Glenn Gilpin", but "S. Gilpin" is stated in narration both at the end and during the initial introduction to Major Reisman. See more »
One of the most quintessential macho movies of all time.
The Dirty Dozen is directed by Robert Aldrich and adapted for the screen by Nunnally Johnson & Lukas Heller from the novel by E. M. Nathanson. It stars Lee Marvin, Ernest Borgnine, Telly Savalas, Charles Bronson, John Cassavetes, Donald Sutherland, Richard Jaeckel, Robert Ryan and Jim Brown.
1944, just prior to D-Day .
Major Reisman (Marvin) is a none conformist kind of guy and he riles the higher brass no end, so it comes as no surprise to him that he is the man assigned the unenviable task of assembling a suicide squad of army criminals for a mission to destroy a château in France. This particular château has no military value as such, but as it is used by many of the Nazi big chiefs, destroying it whilst they relax inside will upset the German plans immensely. But can this rag tag band of murderers, rapists and thieves shape up into something resembling a fighting force? Their reward, should they survive the mission, is amnesty, but Reisman for sure has his hands full on both sides of the war.
"One: down to the road block, we've just begun.. Two: the guards are through.. Three: the Major's men are on a spree.. Four: Major and Wladislaw go through the door.. Five: Pinkley stays out in the drive.. Six: the Major gives the rope a fix.. Seven: Wladislaw throws the hook to heaven.. Eight: Jiménez has got a date.. Nine: the other guys go up the line.. Ten: Sawyer and Gilpin are in the pen.. Eleven: Posey guards points five and seven.. Twelve: Wladislaw and the Major go down to delve.. Thirteen: Franko goes up without being seen.. Fourteen: Zero-hour, Jiménez cuts the cable, Franko cuts the phone.. Fifteen: Franko goes in where the others have been.. Sixteen: We all come out like it's Halloween...."
The Dirty Dozen has become one of those films that is a perennial holiday favourite like The Great Escape, Zulu and The Magnificent Seven. Which while it most definitely deserves such big exposure, it's a little surprising it's part of the holiday viewing schedules given its cynicism and amoral core; just one of the many great & intriguing things about Aldrich's testosterone laced movie. Met with mixed reviews on release, with the negative side of the fence bemoaning its nasty violence and preposterous plot, The Dirty Dozen none the less performed great at the box office where it was the fifth highest grosser of the year and the number one money maker in terms of profit to budget. Coming as it did during the middle of the Vietnam War, it was evident that the paying public quite easily bought into the thematics of The Dirty Dozen. Nearly 45 years since it first lured people into the cinema, Aldrich's movie shows no sign of age, or better still-and more remarkable-its enjoyability has not diminished.
What makes it a great film, then? First off is the all-star macho cast assembled by Aldrich and his team, big hitters like Marvin (stepping in when John Wayne balked at the script), Borgnine, Kennedy, Ryan and Bronson were already names to the public, but these are also supplemented by soon to be "stars" like Cassavetes, Sutherland and Savalas (also stepping into a role vacated by another, this time Jack Palance who didn't like the racial aggression of the character) & stoic performers like Jaeckel & Robert Webber. While curio value comes with the casting of singer Trini Lopez and Gridiron star Jim Brown. Throw Clint Walker into the pot as well and you have got a considerable amount of beef in the stew! Secondly the film led the way for a slew of movies that featured bad guys as heroes, with that Aldrich's film holds up well as being a hugely influential piece. Then thirdly is that not only is it intermittently funny as the violence explodes on the screen, but that it's also chocked full of action and adventure. All that and for those so inclined you can find questionable morals under scrutiny and see the "war is hell" banner firmly flown during the nastiness of the missions culmination.
Split into three parts; meet the guys; see them train & the mission, Dirty Dozen has been criticised for its lack of realism, but is that really needed in what is essentially a male fantasy piece setting out to entertain? Besides which, lets applaud it for acknowledging that brutality and atrocities were committed on both sides of the fence. Rest assured, The Dirty Dozen still had enough edginess about it back in the 60s. It's also true enough to say that the characters, are in the main, stereotypes, and that the unravelling story is a touch clichéd, but these are men that men want to be (okay maybe not Savalas' religious maniac rapist!) and men that women can cast a flirtatious eye over: there's plenty of character here to hang your hats and undergarments on; appealing to the inner rebel hidden away in many a viewer. The message's in there are not sledge hammered into the story (Aldrich always said he wasn't making a message movie, just a film about camaraderie and unlikely heroes), and the construction of the action is top notch from one of America's most under appreciated directors. It's nicely shot in 70mm MetroColor/MetroScope by Edward Scaife (Night of the Demon/Khartoum) and features a suitably boisterous music score from Frank De Vol (Cat Ballou/The Flight of the Phoenix).
It's a far from flawless picture, of that there is no doubt, but it's loved by millions and continues to gain an audience yearly who are willing to view it on its own entertaining terms. As a boy I wanted to be Lee Marvin because of this film, as a middle aged man now, I still want to be Lee Marvin in this film. That's yet another reason why The Dirty Dozen is so great. 10/10
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