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The Dirty Dozen (1967)

Not Rated  |   |  Action, Adventure, Thriller  |  15 June 1967 (USA)
7.8
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Ratings: 7.8/10 from 49,360 users  
Reviews: 152 user | 75 critic

A US Army Major is assigned a dozen convicted murderers to train and lead them into a mass assassination mission of German officers in World War II.

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(screenplay), (screenplay), 1 more credit »
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Title: The Dirty Dozen (1967)

The Dirty Dozen (1967) on IMDb 7.8/10

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Won 1 Oscar. Another 5 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Trini López ...
Pedro Jiminez (as Trini Lopez)
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Tom Busby ...
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Storyline

A Major with an attitude problem and a history of getting things done is told to interview military prisoners with death sentences or long terms for a dangerous mission; To parachute behind enemy lines and cause havoc for the German Generals at a rest house on the eve of D-Day. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Train them! Excite them! Arm them!...Then turn them loose on the Nazis!


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | |

Release Date:

15 June 1967 (USA)  »

Also Known As:

Das dreckige Dutzend  »

Box Office

Gross:

SEK 8,990,000 (Sweden)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (70 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

1.75 : 1
See  »
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Did You Know?

Trivia

Six of the Dozen were experienced American stars whilst the "Back Six" were actors resident in the UK, Englishman Colin Maitland, Canadians Donald Sutherland and Tom Busby, and Americans Stuart Cooper, Al Mancini and Ben Carruthers. See more »

Goofs

The 25-pounder howitzers used during the war games do not appear to recoil. They should in fact recoil the full length of the barrel. See more »

Quotes

Major John Reisman: How come you speak German?
Joseph T. Wladislaw: My old man came from Silesia. He didn't speak German, he didn't dig coal. If he didn't dig coal, he didn't eat.
See more »

Crazy Credits

The opening credits don't occur until 10 minutes into the film. While it is common nowadays for films to have a pre-credits sequence, it was considered innovative in 1967. See more »

Connections

Featured in MGM: When the Lion Roars (1992) See more »

Soundtracks

Semper Fidelis
(uncredited)
Music by John Philip Sousa
Arranged by Frank De Vol
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Splendidly Produced; a Tough and Tough-Minded Film
19 June 2005 | by See all my reviews

Many viewers of film, myself include, rate this as one of the most exciting "mission"'' stories of all time. Adapted from an intelligent but Freudian source novel, the plot theme is a subtle one for a movie; it's about convicted men in WWII being given odds for life in the form of a suicide mission that may wipe their slates clean-- or perhaps not... its main theme is self-assertion, set against its opposite, enforced repression. The key to every action men undertake in this very tough and and tough-minded Nunnnally Johnason and Lukas Heller script is: "Is that person dealing with the reality of the world of and his/her own responsibility to act?" From convict Telly Savalas' character, mystical murderer of women who claims a divine calling to punish their sexuality, to Charles Bronson and Jim Brown who reacted to persecutions and are innocent by reason of self-defense, to their leader, the mission's architect, Major Reisman, who wants his plan to go forward his way despite resistance from brass, every man of the outfit is tried against the same standard. Jimenez is climbing a rope and says he can't make the tower; Franco refuses to shave because the officers have hot water and he does not, Posey can't control his temper, control-freak Col. Breed hates any man who does not go by the book; etc. As a production, Robert Aldrich's direction is probably his masterpiece; the acting is far above average, especially Lee Marvin, Charles Bronson, Donald Sutherland, Clint Walker, Robert Webber, energetic John Cassevetes and Al Mancini; the inspired casting of powerful top-sergeant-level Ernest Borgnine as an obviously far-beyond-his element general works brilliantly. The art direction, special effects, sets, and music (by Frank de Vol) all complement a taut script filled with memorable terse dialogue. Entire sequences such as the selection interviews for the mission team, the building of the camp, a visit to Breed's hq, Breed's invasion of the camp, the training regimen, the "graduation party", Reisman's verbal defense of his men, the war games' challenge, preparing for the mission, the early invasion steps, Maggot's adlib, the attack by Reisman's team, the escape and the hospital climax and denouement--all these sections are made memorable to many admirers of this beautifully made and unusual story. As officers attached to the mission, George Kennedy, Richard Jaene-too-subtle secondary theme of the film is: the wrongness of arbitrary power in anyone's hands, including Nazis, US army officers or their brutal agents (such as Breed's men who beat up Charles Bronson for information). The film is about individuals who when they harm no one else and are effective human beings, men who can always get the job done, always control themselves. who need to be free to operate. Such men the film says are "heroes"--men with an unusual ability to create results on Earth; the sort of men films ought to be made about in a nation that talks individualism and claims to value capability. This is a great adventure, of enduring artistry, occasional brutality and intelligently-developed dialogue. It has logical actions, and spectacular physical performances and This is a strong and well-thought-out adventure film, one of the richest of its genre, to be watched many times.


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