It's 1933, and eight young women are friends and members of the upper- class group at a private girl's school, about to graduate and start their own lives. The film documents the years ... See full summary »
Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century. An aging actress Arkidana pays summer visits to her brother Sorin and son ... See full summary »
Eddie Carbone, a Brooklyn longshoreman is unhappily married to Beatrice and unconsciously in love with Catherine, the niece that they have raised from childhood. Into his house come two ... See full summary »
Taken from the book by John le Carre, George Smiley rallies to the aid of his former intelligence colleague, Ailsa Brimley, to investigate a mysterious letter from a junion master's wife at... See full summary »
Spanning nearly 40 years from 1925 to 1964, two Texas farm boys; straight-arrow Gid and laid-back Johnny fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »
After Charles Dobbs, a security officer, has a friendly chat with Samuel Fennan from the Foreign Office, the man commits suicide. An anonymous typed letter had been received accusing Fennan of being a Communist during his days at Oxford and their chat while walking in the park was quite amiable. Senior officials want the whole thing swept under the rug and are pleased to leave it as a suicide. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan. Written by
The character of George Smiley, 'John Le Carré's hero, was renamed Charles Dobbs for this movie. This was because the Paramount Studio had bought the rights to the Smiley name when they produced The Spy Who Came in from the Cold (1965). See more »
How can you be so aggressive about your job and so gentle about me?
I've always thought that... being aggressive was the way to... keep my job and being gentle was the way to keep you,
[after a reflective pause]
Well, I've lost my job, haven't I?
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A John Le Carré-based Cold War spy film will always challenge an audience with an unflinching look at the world of espionage, and confront viewers with its most unpleasant facts; true stories of manipulation and deceit where the simplistic, Manichean scheme "good guys versus bad guys" is exposed as deceitful and manipulative. Sidney Lumet ("The Verdict", "Dog Day Afternoon", "Q and A") added another feather to his cap directing this 1966 adaptation of "Call for the Dead", which features an international cast headed by James Mason, Maximilian Schell, Simone Signoret (not De Beauvoir, who was an Existentialist author, not an actress)and Harriet Andersson. In true Lumet fashion, characterization does not take a back seat to plot development: Mason brings his masterful touch, an understated yet poignant despair to his doomed agent Dobbs; Schell manages to come across as debonair and sinister at the same time, and world-weary Signoret eloquently speaks for the victims who were tangled up in Cold War power games. The Bossa Nova soundtrack, full of sad sensuality, creates an innovative contrast to the bleak, rainy London streets where the web of deceit is torn in a violent and realistic showdown. Excellent supporting performances by actors Harry Andrews and Roy Kinnear help make "The Deadly Affair", many years after its first viewing, a somber and masterful look at Cold-War espionage and a fine example of serious movie-making.
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