At an exclusive boys' school, a new gym teacher is drawn into a feud between two older instructors, and he discovers that everything at the school is not quite as staid, tranquil and harmless as it seems.
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
Author Eugene O'Neill gives an autobiographical account of his explosive homelife, fused by a drug-addicted mother, a father who wallows in drink after realizing he is no longer a famous ... See full summary »
Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
After Charles Dobbs, a security officer, has a friendly chat with Samuel Fennan from the Foreign Office, the man commits suicide. An anonymous typed letter had been received accusing Fennan of being a Communist during his days at Oxford and their chat while walking in the park was quite amiable. Senior officials want the whole thing swept under the rug and are pleased to leave it as a suicide. Dobbs isn't at all sure as there are a number of anomalies that simply can't be explained away. Dobbs is also having trouble at home with his errant wife, whom he very much loves, having frequent affairs. He's also pleased to see an old friend, Dieter Frey, who he recruited after the war. With the assistance of a colleague and a retired policeman, Dobbs tries to piece together just who is the spy and who in fact assassinated Fennan. Written by
A complex, suspenseful, and sometimes surprisingly funny spy thriller by master director Sidney Lumet ("12 Angry Men", "Long Day's Journey Into Night", "Dog Day Afternoon", "Running on Empty"). The picture has a really brilliant cast, including James Mason, Simone Signoret, Maximilian Schell, Harriet Andersson and Harry Andrews. The photography is interesting too. Lumet and cinematographer Freddie Young used a technique called "preflashing". In his book "Making Movies" Lumet writes: "Thematically it was a film about life's disappointments. I wanted to desaturate the colors. I wanted to get that dreary, lifeless feeling London has in winter. Freddie suggested preexposing the film."
Lumet's approach in "The Deadly Affair" (1967) is perhaps even a little too realistic to make it a suspense masterpiece. But nevertheless you should really see this little gem.
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