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The Red and the White (1967)
"Csillagosok, katonák" (original title)

 -  Drama  -  20 September 1968 (USA)
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Ratings: 7.9/10 from 1,804 users  
Reviews: 30 user | 20 critic

In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side then the other. Captives are executed... See full summary »


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Title: The Red and the White (1967)

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Cast overview, first billed only:
József Madaras ...
Hungarian Commander
Tibor Molnár ...
András Kozák ...
Jácint Juhász ...
Anatoli Yabbarov ...
Captain Chelpanov
Sergey Nikonenko ...
Cossack Officer
Mikhail Kozakov ...
Bolot Beyshenaliev ...
Tatyana Konyukhova ...
Yelizaveta the Matron (as Tatiana Koniukova)
Krystyna Mikolajewska ...
Viktor Avdyushko ...
Gleb Strizhenov ...
White Officer
Vladimir Prokofyev
Valentin Bryleev


In 1919, Hungarian Communists aid the Bolsheviks' defeat of Czarists, the Whites. Near the Volga, a monastery and a field hospital are held by one side then the other. Captives are executed or sent running naked into the woods. Neither side has a plan, and characters the camera picks out soon die. A White Cossack officer kills a Hungarian and is executed by his own superiors when he tries to rape a milkmaid. At the hospital, White officers order nurses into the woods, dressed in finery, to waltz. A nurse aids the Reds, then they accuse her of treason for following White orders. Red soldiers walk willingly, singing, into an overwhelming force. War seems chaotic and arbitrary. Written by <>

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Release Date:

20 September 1968 (USA)  »

Also Known As:

The Red and the White  »

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2.35 : 1
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Featured in The Story of Film: An Odyssey: Episode #1.8 (2011) See more »

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User Reviews

about the nature of war and perception
28 June 2005 | by (London) – See all my reviews

Some opinions reproaching this film with 'communist propaganda' strike me as creepily hilarious. Talk about blind determination and immutability in perception - ironically, the very thing that the movie is about after all. I would easily call 'propaganda' every other soviet or east-European war movie from the 1945-1985 period, if you like. Also, every other Hollywood movie that involves a battle scene and The Flag. But surely not this one. How many films show antagonistic parts performing the same tortuous movements of cruelty and murder, in what seems to be a state of mass hypnosis long beyond reason and ethical justification? This film must be one of the most unformulaic and most effective anti-war (i.e. anti-ideological) films ever, along with Elem Klimov's Come and See. The fact that both could be made in the Soviet Union is nothing short of transcendental.

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