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A Countess from Hong Kong (1967)

G  |   |  Comedy, Romance  |  15 March 1967 (USA)
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In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are ... See full summary »



(original screenplay)
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Cast overview, first billed only:
Patrick Cargill ...
Michael Medwin ...
John Felix
Oliver Johnston ...
The Captain
Angela Scoular ...
The Society Girl
Margaret Rutherford ...
Miss Gaulswallow
Peter Bartlett ...
Bill Nagy ...
Dilys Laye ...
Angela Pringle ...
Jenny Bridges ...


In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are invited by their old friend Clark to go to a nightclub with three aristocratic Russian refugees on their last night. Ogden drinks too much and spends the night with Countess Natascha. On the next morning, while sailing back home, Ogdeb finds Natascha hidden in his cabin wearing a ball gown and with no documents. The stowaway explains that she wants to go to the United States and Ogden is worried with his career. But Harvey convinces him to help Natascha. Ogden falls in love with Natascha and together with Harvey, they plot a fake marriage of Natascha with his valet Hudson. But things get complicated when immigration requests her documents and Martha arrives on board. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis


Fun at Sea! His Cabin, His PJs, Her Move! See more »


Comedy | Romance


G | See all certifications »





Release Date:

15 March 1967 (USA)  »

Also Known As:

Una condesa de Hong Kong  »

Box Office


$3,500,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


| (US)

Sound Mix:

(Westrex Recording System)



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


While Marlon Brando had always greatly admired Charles Chaplin's work and looked upon him as "probably the most talented man the [movie] medium has ever produced," the two superstars didn't get along during the shooting. In his autobiography, Brando described Chaplin as "probably the most sadistic man I'd ever met." Chaplin, on his side, said that working with Brando simply was "impossible". See more »


During "everybody is getting sea-sick" scene Ogden, Natascha and Harvey push an ashtray around the table until Ogden angrily swipes it off the table. Shortly after it's back on the table in front of Natascha's chair and in the next shot it moves over to be in front of Ogden's chair, although nobody is at the table at that time. See more »


Featured in Charlie Chaplin: The Forgotten Years (2003) See more »


(Love,) This Is My Song
Written by Charles Chaplin (as Charlie Chaplin)
Performed by Petula Clark
See more »

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User Reviews

Very flawed, still interesting
8 September 1999 | by (Finland) – See all my reviews

Chaplin's last picture is a film with many faults, yet it's not as bad as often claimed. I've seen it many times myself. Here is my opinion of it:

One of the most important flaws is the miscasting of Brando. He seems ill at ease. Thus Loren has to carry the film virtually alone. The whole structure of 'Countess' is not well balanced. There's too much simple visual comedy for a romantic comedy, and vice versa. The plot is thin (It's supposed to be simplistic). Also, the score is at times muddled as previously introduced dramatic themes come and go without any reason (see and hear Hedren's first appearance.) The film is also a bit overlong.

The good things: There are points when the music is up to Chaplin's usually high standards (Cargill's comedy scene, storm theme). Cameo appearances are nice. Direction is more focused and production values are certainly superior to A King in N.Y. Yes, I believe, that what is often described as Chaplin's 'flat' direction due to a lack of skill is an artistic style by choice. Simpleness is not the same as unskilfulness. For instance, during the dance scenes, the camera movement following actors is subtle and economically made. You'll notice it if you watch them in fast-forward.

And if one may feel disappointed at the film on the whole, there's at least a very beautiful, poignant and simple ending that is in my opinion the best of any Chaplin film I've seen. Its every element is in place.

Therefore it's a rather mixed bag of a movie, most suitable for Chaplin fans and very interesting as a curio, at least.

33 of 40 people found this review helpful.  Was this review helpful to you?

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