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A Countess from Hong Kong (1967)

In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Harvey
...
Martha
...
Hudson
...
John Felix
...
Clark
John Paul ...
The Captain
...
The Society Girl
...
Miss Gaulswallow
Peter Bartlett ...
Steward
...
Crawford
...
Saleswoman
Angela Pringle ...
Baroness
Jenny Bridges ...
Countess
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Storyline

In Hong Kong, the wealthy Ogden Mears is traveling in a transatlantic and is near to be assigned Saudi Arabia Ambassador and is divorcing from his wife Martha. His friend Harvey and he are invited by their old friend Clark to go to a nightclub with three aristocratic Russian refugees on their last night. Ogden drinks too much and spends the night with Countess Natascha. On the next morning, while sailing back home, Ogdeb finds Natascha hidden in his cabin wearing a ball gown and with no documents. The stowaway explains that she wants to go to the United States and Ogden is worried with his career. But Harvey convinces him to help Natascha. Ogden falls in love with Natascha and together with Harvey, they plot a fake marriage of Natascha with his valet Hudson. But things get complicated when immigration requests her documents and Martha arrives on board. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Fun at Sea! His Cabin, His PJs, Her Move! See more »

Genres:

Comedy | Romance

Certificate:

G | See all certifications »
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Details

Country:

Language:

|

Release Date:

15 March 1967 (USA)  »

Also Known As:

Una condesa de Hong Kong  »

Box Office

Budget:

$3,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (US)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was Charles Chaplin's final film, although in his early-1970s memoir, "My Life in Pictures," he mentioned plans to film a movie entitled "The Freak," starring his daughter, Victoria Chaplin. The film was ultimately never made, but costume test photos exist. See more »

Goofs

Toward the end of the film Ogden, Natascha, Harvey and Martha sit around a restaurant table. Ogden and Natascha sit with their backs to the camera and very far from each other so they won't obscure Harvey and Martha at the other side of the table. When they get up to dance, the camera cuts to a close up of Ogden and Natascha which are suddenly almost touching shoulders. See more »

Quotes

Baroness: No, no, don't turn it off. Music complements champagne.
See more »

Connections

Referenced in Brando (2007) See more »

Soundtracks

Auld Lang Syne
(uncredited)
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User Reviews

 
not as bad as critics made out
28 July 2006 | by (United Kingdom) – See all my reviews

an interesting curio as Chaplin's last film. Loren is ravishingly beautiful and carries the whole film well on her shoulders. Brando badly miscast, he shows some great timing in the madcap farce rushing around scenes, but try to imagine how Rex Harrison could have done this type of slamming doors and hiding farce as the uptight diplomat exasperated with his stowaway - think My Fair Lady. Brando's mumbling performance just does not gel. Apparently he had disagreements with Chaplin and maybe was sulking.

Very nice cameos from Margaret Rutherford (British films of the 50s Miss Marple) and Angelar Scoular (batty girl like in her performance in On Her Majesty's Secret Service), also great comedy performance from Patrick Cargill (British TV comedy and a memorable No 2 in the Prisoner) as the butler. Excellent acting going on here.

It is dull to start with, static camera like silent films, stagy, and obvious studio sets, but by the time the sea sickness scene came along I was laughing and drawn in. The post marriage bedroom scene is funny.

There is a scene at the bar with Sydney Chaplin (Charlie's son) where he tries to distract Michael Medwin, where Sydney looks amazingly like Charlie in attitude and timing - but this is probably due to diligent direction by his father.

A really nice theme music from Charlie again. Yes, it is old fashioned, a filmed play, was absolutely released in the wrong decade, with the wrong leading man, but does show some of the Chaplin traits and even perhaps genius, certainly his humanist philosophy in the treatment of homeless or stateless persons.

A real shame it was so savaged by critics at the time and disappointed him in his old age. He deserved better for his lifetime contribution to the art of film.


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