After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
Originally, the scene where Luke plays "Plastic Jesus" as an ode to his mother was scheduled for the beginning of the shoot, but after Paul Newman insisted on learning the instrument, Stuart Rosenberg delayed it a few weeks. When they tried it and the playing was unsatisfactory, it was bumped until the next to last day of production. Newman and Rosenberg had a shouting match after Newman still couldn't get it down. In what Kennedy remembered as a "tense, electrically charged, quiet" place, Newman tried again. When he finished, Rosenberg called "Print." Newman insisted he could do better. "Nobody could do it better," Rosenberg replied. See more »
When the Walking Boss shoots the snake, it appears to be a western diamondback rattler. This species is not found in the deep south where the film takes place. See more »
Why, we always thought you was strong enough to carry it. Was we wrong?
I don't know. Well, things are just never the way they seem, Arletta, you know that. A man's just gotta go his own way.
See more »
Truly a memorable movie, and more than just a documentary about southern road gangs. It's a study on the theme of the indomitability of the human spirit in the face of oppression. I was about to name this as Newman's finest performance until I thought of Eddy Felsen in "The Hustler" and Frank Galvin in "The Verdict"; it's impossible to choose among such a cornucopia of acting achievements, but Luke is right up there (the analogy to Luke as Christ becomes a tad heavy-handed when we see him, at the close of the egg-eating scene, stretched out, arms outward, feet crossed, as if crucified; none the less, it's a powerful image). There is no doubt, however, about George Kennedy as Dragline; it is his finest achievement, and fully deserves the Oscar he got for Best Supporting Actor. It is also fascinating to find so many familiar faces among the inmates - actors such as Dennis Hopper, Harry Dean Stanton, Joe Don Baker, Ralph Waite. and Wayne Rogers - who would go on to fame in their own right. This movie can unquestionably be called a classic. American Movie Classics just started (11/2000) showing a beautifully restored letterbox version which shows it in all its glory.
87 of 146 people found this review helpful.
Was this review helpful to you?