After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
Originally set to be filmed in Florida, at the last minute Warner Brothers vetoed that decision due to budgetary concerns, and insisted that the film be made in California. See more »
During the fight scene with Dragline, Luke is knocked down into the dirt many times and is covered with black soil by the end. When the long shot shows Dragline walking away towards the barracks Luke has suddenly lost most of the black soil that was covering his sweat-soaked body. See more »
Them clothes got laundry numbers on them. You remember your number and always wear the ones that has your number. Any man forgets his number spends a night in the box. These here spoons you keep with you. Any man loses his spoon spends a night in the box. There's no playing grab-ass or fighting in the building. You got a grudge against another man, you fight him Saturday afternoon. Any man playing grab-ass or fighting in the building spends a night in the box. First bell's at five minutes of ...
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"Luke" is a character Newman was born to play - and this is one hell of a beautiful film
This film got me from the first frame to the last. It's not even because of the story (which I love, of course) - it's just so very well made. And so modern. The kind of angles and perspectives the camera uses, the way it zooms in and out or even allows itself (literally) to get dirty - the way this whole picture was shot is just something I haven't seen in an American film released prior to this one.
And yet, although it is considered a classic, when people talk about the "New Hollywood" somehow 'Cool Hand Luke' is hardly ever mentioned - despite the fact that it came out only a couple of months after 'Bonnie and Clyde' in 1967 and before 'The Graduate'.
I look at this film mainly as a character study but the story arc also works very well and it hasn't aged a bit. This is one of those rare films that was way ahead of its time and which has simply everything: great acting, iconic characters and scenes, wonderful music - and the cinematography is just unbelievable.
Funny, tragic and moving, 'Cool Hand Luke' is one hell of a film. What we've got here is NOT failure to communicate - but a 10 star masterpiece.