Comedy duo Key & Peele make their big-screen debut in Keanu. Read up on the stolen-cat comedy and this week's other new releases in our In Theaters section, where you can watch trailers, buy tickets, and more.
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
In later years, composer Lalo Schifrin would often be asked why he used the theme for Eyewitness News (1968) in the film. Schifrin would then rather bemusedly explain that he composed the music for the film and Eyewitness News (1968) adopted it. See more »
1960s vehicles are visible in the background of some scenes. See more »
Now that it has become sort of fashionable to speak or write badly about the films of the 60s and 70s, saying that people stopped going to the movie theatres during that fruitful period (which is not true), we must -more than ever-rate a flick as "Cool Hand Luke" as it really deserves. The rebel spirit of the lead character (played to perfection by the excellent Paul Newman) against that brutal and -most of the times- unfair "establishment" represented by the prison guards is a subject that remains as topical as ever. If this picture had been made today, it could also probably be good, but it would undoubtedly be much more unpleasant and filled with four-letter words. Besides, who could match the performances of Newman, George Kennedy (the deservedly Oscar-winner who has kept on making a brilliant career -do you remember him as "The Blue Knight"?), Strother Martin, J.D.Cannon, etc.? Jo Van Fleet´s character as Luke´s mother seems a sort of slightly-aged version of her role as James Dean´s mum in "East Of Eden", and it is really worthwhile. The scene of the hard-boiled eggs is a classic and a gem, but my favourite scene in the movie is that of the car-washing girl so wonderfully played by Joy Harmon (who is really a Joy for any man´s eyes); that character truly says a lot of things without speaking -her gorgeous body speaks for her! I must say that it´s not only one of the sexiest scenes I´ve ever seen in a film but also a very significative one: there is an enormous contrast between the image of the lass moving and shaking in complete and absolute freedom (even in her way of dressing) and the imprisoned men-at-work who watch her as something extremely desirable but, alas, completely out of reach. (The viewer can really feel like a prisoner too!). All in all, this is a fine film of the 60s, but also of the 70s, the 80s, the 90s, the 21st century and whatever God wants it to come.
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