After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
At Dennis Hopper's invitation, avant-garde filmmaker Bruce Conner shot some footage of the cast clearing brush from the roadside under a blisteringly hot sun. The resulting film, Luke (1967), captured on 8mm and edited entirely in camera, is a haunting slow-motion study of how a film is made, with an electronic score by Patrick Gleeson. See more »
At one point in the movie a "white on red" stop sign is shown. In the film's late-1940s time period, stop signs were "black on yellow." See more »
[Luke won a game of poker on a bluff]
Nothin'. A handful of nothin'. You stupid mullet head. He beat you with nothin'. Just like today when he kept comin' back at me - with nothin'.
Yeah, well, sometimes nothin' can be a real cool hand.
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Truly a memorable movie, and more than just a documentary about southern road gangs. It's a study on the theme of the indomitability of the human spirit in the face of oppression. I was about to name this as Newman's finest performance until I thought of Eddy Felsen in "The Hustler" and Frank Galvin in "The Verdict"; it's impossible to choose among such a cornucopia of acting achievements, but Luke is right up there (the analogy to Luke as Christ becomes a tad heavy-handed when we see him, at the close of the egg-eating scene, stretched out, arms outward, feet crossed, as if crucified; none the less, it's a powerful image). There is no doubt, however, about George Kennedy as Dragline; it is his finest achievement, and fully deserves the Oscar he got for Best Supporting Actor. It is also fascinating to find so many familiar faces among the inmates - actors such as Dennis Hopper, Harry Dean Stanton, Joe Don Baker, Ralph Waite. and Wayne Rogers - who would go on to fame in their own right. This movie can unquestionably be called a classic. American Movie Classics just started (11/2000) showing a beautifully restored letterbox version which shows it in all its glory.
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