After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by
Although he loved the look of Morgan Woodward as the intimidating Boss Godfrey, director Stuart Rosenberg felt that his voice didn't match up with his appearance. So Woodward had all his dialogue stripped out, helping to establish his character as one of the more memorable ones to appear in the film. See more »
During the fight scene with Dragline, Luke is knocked down into the dirt many times and is covered with black soil by the end. When the long shot shows Dragline walking away towards the barracks Luke has suddenly lost most of the black soil that was covering his sweat-soaked body. See more »
Captain, Road Prison 36:
You run one time, you got yourself a set of chains. You run twice you got yourself two sets. You ain't gonna need no third set, 'cause you gonna get your mind right.
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Truly a memorable movie, and more than just a documentary about southern road gangs. It's a study on the theme of the indomitability of the human spirit in the face of oppression. I was about to name this as Newman's finest performance until I thought of Eddy Felsen in "The Hustler" and Frank Galvin in "The Verdict"; it's impossible to choose among such a cornucopia of acting achievements, but Luke is right up there (the analogy to Luke as Christ becomes a tad heavy-handed when we see him, at the close of the egg-eating scene, stretched out, arms outward, feet crossed, as if crucified; none the less, it's a powerful image). There is no doubt, however, about George Kennedy as Dragline; it is his finest achievement, and fully deserves the Oscar he got for Best Supporting Actor. It is also fascinating to find so many familiar faces among the inmates - actors such as Dennis Hopper, Harry Dean Stanton, Joe Don Baker, Ralph Waite. and Wayne Rogers - who would go on to fame in their own right. This movie can unquestionably be called a classic. American Movie Classics just started (11/2000) showing a beautifully restored letterbox version which shows it in all its glory.
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