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Cool Hand Luke (1967)

 -  Crime | Drama  -  1 November 1967 (USA)
8.2
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Ratings: 8.2/10 from 96,609 users  
Reviews: 253 user | 92 critic

A man refuses to conform to life in a rural prison.

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(screenplay), (screenplay), 1 more credit »
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Title: Cool Hand Luke (1967)

Cool Hand Luke (1967) on IMDb 8.2/10

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Top 250 #149 | Won 1 Oscar. Another 6 wins & 9 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Storyline

Luke Jackson is a cool, gutsy prisoner in a Southern chain gang, who, while refusing to buckle under to authority, keeps escaping and being recaptured. The prisoners admire Luke because, as Dragline explains it, "You're an original, that's what you are!" Nevertheless, the camp staff actively works to crush Luke until he finally breaks. Written by alfiehitchie

Plot Summary | Plot Synopsis

Plot Keywords:

prison | prisoner | escape | guts | chain | See All (136) »

Taglines:

Sometimes, "Nothing" can be a really Cool Hand. See more »

Genres:

Crime | Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1967 (USA)  »

Also Known As:

La leyenda del indomable  »

Filming Locations:

 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The movie's line "What we've got here is failure to communicate." was voted as the #11 movie quote by the American Film Institute. When Frank Pierson wrote that dialog to be delivered by a an uneducated, redneck prison guard, he worried that people wouldn't find it authentic. So he wrote a biography of the guard, explaining that in order to advance to a higher grade in the system, he had been required to take criminology courses, thus exposing him to the kind of academic vocabulary that would justify him using the 'communicate' phrase. But as it turned out, no one questioned the line or needed to read the fictional account. See more »

Goofs

While Luke's mother is smoking a cigarette, it gets smaller when the camera switches angles. See more »

Quotes

Dog Boy: Look Cap'n, look what he done to Blue. He's dead, he's dead. he run himself plum to death.
See more »

Connections

Spoofed in Mr. Popper's Penguins (2011) See more »

Soundtracks

Midnight Special
Written by Howard Washington Odum
Performed by Harry Dean Stanton
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

real cool
29 January 2001 | by (madrid, spain) – See all my reviews

Now that it has become sort of fashionable to speak or write badly about the films of the 60s and 70s, saying that people stopped going to the movie theatres during that fruitful period (which is not true), we must -more than ever-rate a flick as "Cool Hand Luke" as it really deserves. The rebel spirit of the lead character (played to perfection by the excellent Paul Newman) against that brutal and -most of the times- unfair "establishment" represented by the prison guards is a subject that remains as topical as ever. If this picture had been made today, it could also probably be good, but it would undoubtedly be much more unpleasant and filled with four-letter words. Besides, who could match the performances of Newman, George Kennedy (the deservedly Oscar-winner who has kept on making a brilliant career -do you remember him as "The Blue Knight"?), Strother Martin, J.D.Cannon, etc.? Jo Van Fleet´s character as Luke´s mother seems a sort of slightly-aged version of her role as James Dean´s mum in "East Of Eden", and it is really worthwhile. The scene of the hard-boiled eggs is a classic and a gem, but my favourite scene in the movie is that of the car-washing girl so wonderfully played by Joy Harmon (who is really a Joy for any man´s eyes); that character truly says a lot of things without speaking -her gorgeous body speaks for her! I must say that it´s not only one of the sexiest scenes I´ve ever seen in a film but also a very significative one: there is an enormous contrast between the image of the lass moving and shaking in complete and absolute freedom (even in her way of dressing) and the imprisoned men-at-work who watch her as something extremely desirable but, alas, completely out of reach. (The viewer can really feel like a prisoner too!). All in all, this is a fine film of the 60s, but also of the 70s, the 80s, the 90s, the 21st century and whatever God wants it to come.


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