IMDb > The Comedians (1967)
The Comedians
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The Comedians (1967) More at IMDbPro »

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The Comedians -- Trailer for this film based on the novel

Overview

User Rating:
6.5/10   1,225 votes »
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Director:
Writers:
Graham Greene (novel)
Graham Greene (screenplay)
Contact:
View company contact information for The Comedians on IMDbPro.
Release Date:
31 October 1967 (USA) See more »
Genre:
Tagline:
They lie, they cheat, they destroy...they even try to love.
Plot:
A cynical Welsh hotel owner secretly romances a diplomat's wife in Haiti under the violent reign of the despot "Papa Doc" Duvalier. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Nominated for Golden Globe. Another 3 wins See more »
NewsDesk:
(12 articles)
Top 10 movie adaptations
 (From The Guardian - Film News. 15 November 2013, 8:32 AM, PST)

Top 10 movie adaptations
 (From The Guardian - TV News. 15 November 2013, 8:32 AM, PST)

5 Elizabeth Taylor-Richard Burton Movies To Watch
 (From SoundOnSight. 22 May 2013, 9:02 PM, PDT)

User Reviews:
Mediocre film is never interesting or exciting enough See more (28 total) »

Cast

  (in credits order) (verified as complete)

Richard Burton ... Brown

Elizabeth Taylor ... Martha Pineda

Alec Guinness ... Major H. O. Jones

Peter Ustinov ... Ambassador Manuel Pineda

Paul Ford ... Smith

Lillian Gish ... Mrs. Smith

Georg Stanford Brown ... Henri Philipot

Roscoe Lee Browne ... Petit Pierre

Gloria Foster ... Mrs. Philipot

James Earl Jones ... Dr. Magiot

Zakes Mokae ... Michel
Douta Seck ... Joseph
Raymond St. Jacques ... Captain Concasseur

Cicely Tyson ... Marie Therese
rest of cast listed alphabetically:

Robin Langford ... Angelito Pineda (uncredited)
Dennis Alaba Peters ... César (uncredited)

Directed by
Peter Glenville 
 
Writing credits
Graham Greene (novel "The Comedians")

Graham Greene (screenplay)

Produced by
Peter Glenville .... producer
 
Original Music by
Laurence Rosenthal 
 
Cinematography by
Henri Decaë (director of photography) (as Henri Decae)
 
Film Editing by
Françoise Javet 
 
Art Direction by
François de Lamothe 
 
Production Management
Lucien Lippens .... unit manager
Louis Wipf .... production supervisor
 
Second Unit Director or Assistant Director
Jean-Michel Lacor .... assistant director
 
Art Department
Robert Christidès .... set dresser (as Robert Christides)
 
Sound Department
Jonathan Bates .... sound editor
Jacques Carrère .... dubbing mixer
Cyril Swern .... sound recordist
Van Allen James .... sound editor (uncredited)
 
Camera and Electrical Department
Ernest Day .... camera operator
Bob Penn .... still photographer (uncredited)
 
Music Department
Laurence Rosenthal .... conductor
 
Other crew
Judith Coxhead .... assistant to producer
Alice Ziller .... continuity
Phillip Kenny .... production assistant (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
UK:150 min | USA:152 min (TCM print)
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.20 : 1 See more »
Sound Mix:
Certification:
Australia:PG | Australia:M (TV rating) | Finland:K-16 | Sweden:15 | USA:Approved (Suggested for Mature Audiences) | West Germany:16 (f)
Filming Locations:

Did You Know?

Trivia:
This is the first film where Richard Burton was paid more than his wife, Elizabeth Taylor. Burton got $750,000 while Taylor, the first actor to receive a $1 million fee for a single picture, settled for a mere half-a-million.See more »
Goofs:
Crew or equipment visible: When Brown and Jones wake up in the country graveyard, it is supposed to be morning and their shadows are clear on the large gravestone right behind them where they slept, even though it is bright all around them. But as Brown moves through the graveyard, his shadow splits into multiple shadows at different angles, revealing that there are multiple lights from different angles. And in fact, before long several more realistic sun-cast shadows appear on the ground around him from taller objects, pointing in the opposite direction from the artificial lighting, showing that the sun is actually behind and above them, just past noon, and not low in front of them.See more »
Quotes:
Dr. Magiot:Papa Doc allows us to study the theory of communism. If there were no communists at all, what help would he get from the United States?See more »
Movie Connections:
Referenced in Masked and Anonymous (2003)See more »

FAQ

This FAQ is empty. Add the first question.
7 out of 9 people found the following review useful.
Mediocre film is never interesting or exciting enough, 19 December 2009
Author: highwaytourist from United States

This had all the making of a first rate political drama. There is an acclaimed novelist whose novel this was adapted from, an exciting premise (British expatriates in Haiti, brutally ruled by the brutal and eccentric "Papa Doc" Duvliar's, get caught up in political oppression and rebellion), an star-studded ensemble cast, and exotic locations. So why does it fall so flat? Part of the problem is that it the film is overlong, lasting for around two and a half hours. The result is a story which moves very slowly with a lot of excess chat. Also, there is too much emphasis on the dreary soap opera love triangle of the three main characters (Richard Burton, Elizabeth Taylor, and Peter Ustinov). The Burton character, a cynical hotel owner of British decent, is obviously copied on the Humphrey Bogard character in "Cassablanca." The film also fails to take advantage of the official oppression and corruption which is the cause of the country's problems. There is little sense of danger until the last half hour, and even then the action is sporadic. There is also a failure to take advantage of the locations. The film was shot in Benin, an African country which isn't a convincing substitute for Haiti, though there was obviously no way this could have been shot in Haiti itself. But the photography is pretty ordinary. There are a few good scenes, including a voodoo ceremony and a shootout in a cemetery. Also, some supporting characters are actually rather interesting, helped by fine performances by James Earl Jones as a surgeon who supports the rebels and Raymond St. Jacques as a sinister police commander who tortures and murders people as casually as most people would order a take-out lunch. Unfortunately, but most of the film is a case of missed opportunities. It's passable, but overlong and never worthy of the talent that went into it.

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All those common surnames?!? colin-220
Ending? juicyfruit326
Elizabeth Taylor LarrupinLou
time for a new version nawaf
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