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The Comedians (1967) More at IMDbPro »

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Overview

User Rating:
6.6/10   586 votes
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Up 9% in popularity this week. See rank & trends on IMDbPro.
Director:
Peter Glenville
Writers:
Graham Greene (novel)
Graham Greene (screenplay)
Contact:
View company contact information for The Comedians on IMDbPro.
Release Date:
31 October 1967 (USA) more
Genre:
Drama more
Tagline:
They lie, they cheat, they destroy...they even try to love.
Plot:
Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic white hotel owner... more | add synopsis
Awards:
Nominated for Golden Globe. Another 2 wins more
User Comments:
A good effort that succeeds in many areas, but still falls short of greatness more

Cast

  (Complete credited cast)

Richard Burton ... Brown

Elizabeth Taylor ... Martha Pineda

Alec Guinness ... Major H. O. Jones

Peter Ustinov ... Ambassador Manuel Pineda
Paul Ford ... Smith

Lillian Gish ... Mrs. Smith
Georg Stanford Brown ... Henri Philipot
Roscoe Lee Browne ... Petit Pierre
Gloria Foster ... Mrs. Philipot

James Earl Jones ... Dr. Magiot
Zakes Mokae ... Michel
Douta Seck ... Joseph
Raymond St. Jacques ... Captain Concasseur

Cicely Tyson ... Marie Therese
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Additional Details

Also Known As:
Les comédiens (France)
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Runtime:
UK:150 min | USA:152 min (TCM print)
Country:
USA | France
Language:
English
Color:
Color (Metrocolor)
Aspect Ratio:
2.20 : 1 more
Sound Mix:
70 mm 6-Track
Filming Locations:
Benin more

Fun Stuff

Trivia:
To get Elizabeth Taylor to do the film at a "bargain" salary, producer/director Peter Glenville told her that he had offered it to Sophia Loren. She promptly cut her customary $1 million salary in half and signed on. more
Goofs:
Continuity: In the last few shots in the movie, as the Character is leaving the airport, there is initially a departing Vickers VC10 airliner flying overhead from right to left, this changes to a close up, followed by a shot of the same airliner now flying into the distance -- unfortunately this is different 4 engine Jetliner, probably a Boeing 707. more
Movie Connections:
References Objective, Burma! (1945) more

FAQ

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2 out of 3 people found the following comment useful:-
A good effort that succeeds in many areas, but still falls short of greatness, 6 February 2008
6/10
Author: robb_772 from United States

After delighting audiences in director Franco Zeffirelli's 1967 hit adaptation of Shakespeare's THE TAMING OF THE SHREW, the Burtons' popularity with audiences seemed to be on the wane as their next film, Peter Glenville's THE COMEDIANS (1967) became their first full-fledged box office disappointment. There was much publicity surrounding the political thriller as it shot in Africa (masquerading as Haiti) and the fact that Taylor accepted half her usual salary and took second billing behind Burton kept gossips wagging for months (she reportedly only took the part out of fear of being replaced with Sophia Loren). But when the film opened, critics found it slow and talky and audiences simply seemed uninterested. Although the film is never quite as interesting or as suspenseful as it could have been, I dare say that THE COMEDIANS probably plays a great deal better today without the heavy expectations of the time surrounding it.

Graham Greene does a respectable job of paring down his complex novel for the screen, and director Glenville keeps the film moving at a reasonable pace in spite of its lengthy runtime of 150 minutes. The film is always interesting and occasionally gripping, although Greene and Glenville keep the audience at a relative distance which prevents the picture from striking as hard as it could have. Burton is in good form, and Alec Guinness, Paul Ford, and Lillian Gish all turn in top notch support (only Peter Ustinov feels under utilized). Unfortunately, Taylor is dreadfully miscast as a German military wife – complete with a woefully unconvincing accent – and her ill-fitting presence creates several lulls in the film as the number of scenes between her character and Burton's character are increased (in order to give the diva her proper screen time) which hampers a few long stretches of the film and slightly undermines what could have been a first-rate effort.

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