Comanche blanco (1968)

Director:

José Briz Méndez

Writers:

Frank Gruber (written by)
Robert I. Holt (written by)

Release Date:

23 December 1968 (Spain)

Genre:

Drama | Western

Plot:

William Shatner plays two roles: cowboy Johnny Moon and his ruthless Indian half-brother, Notah. Notah...

Plot Keywords:

Attempted Lynching | Dual Role | Spaghetti Western

Cast

Joseph Cotten	...	Sheriff Logan
William Shatner	...	Johnny Moon / Notah
Rosanna Yanni	...	Kelly (as Rossana Yani)
Perla Cristal	...	White Fawn
Mariano Vidal Molina	...	General Garcia (as Vidal Molina)
Luis Prendes	...	Grimes
Barta Barri	...	Mayor Bolker (as Bart Barry)
Vicente Roca	...	Ellis (as Vincent Rocca)
Luis Rivera	...	Kah To
Javier Maiza	...	Coor (as Xavier Maza)
Víctor Israel	...	Carter (as Victor Israel)
Fernando Lewis	...	Quincy (as Ferdinand Lewis)
Héctor Quiroga	...	The Parson (as Hector Quiroga)
Gene Reyes	...	Comanche
Gian Castelli	...	The Boy (as Ian Castelli)

Also Known As:

Hour of Vengeance
Rio Hondo (USA)
White Comanche

Runtime:

93 min

Country:

Spain

Language:

Spanish

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono

Certification:

Australia:PG

Filming Locations:

Colmenar Viejo, Madrid, Spain

Company:

Producciones Cinematográficas A.B.

Trivia:

This film is listed among The 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE.

Goofs:

Revealing mistakes: When Johnny kills the two men about to do the hanging, he fires two shots, and with each shot, one of the men falls dead. However, the first shot is seen and heard to go off when the gun is still pointing at the ground.

Quotes:

Notah: Does Kah To have something to say?
Kah To: I will make a place to put him.
Notah: No time. The dead will find their own place.
Kah To: If he is not put to the fire, his spirit will go forever in darkness.

Movie Connections:

Edited into Spaghetti Western Trailer Show (2007) (V)

Was the crew doing peyote?

The motion picture industry has trained viewers to expect certain types of music for certain types of movies and individual scenes. Occasionally a film score breaks with tradition and is recognized for its brilliance. The opening music of White Comanche should be judged with an open mind because it is within reason to allow experimentation at times. It did not turn into a classic western theme, but it is not too far out of place. As the movie continues there are some musical passages that definitely should not have been used. One sequence uses music that invokes the image of a chase scene in an old comedy, and another would have been appropriate for late 60's crime drama set in a big city. The music itself was good, but its placement does not enhance the movie. Instead it is noticeable and distracting.

William Shatner gives two acting performances that are totally opposite. As Johnny Moon, Shatner really does give a good performance. The sophistication of Johnny's character comes through, and if this were Shatner's only role in White Comanche it would be regarded more highly. As Notah Moon, Shatner cannot be taken seriously. When acting as the domineering Notah, he does not convey an image of a leader. Instead, he looks like he is rehearsing his lines for the first time. In addition, Notah is the only "comanche" with short, perfectly combed hair at all times while the rest of the Indians all have long hair.

Joseph Cotten is flawless in his performance as Sheriff Logan, but it is sad to see him in a movie that did not capitalize on his talent. Cotten must have been hired to add a "name" to the cast, but there was little for him to work with in his role.

The remainder of the cast varied in their acting qualities. Kelly, The General, and the Mayor appear to give good performances, but the dubbed voices in the soundtrack are lifeless. All of the fight scenes look like the weekend performances from a cowboy theme park-- fun in the moment but not good on film.

The greatest problem that plagued White Comanche was probably the cheapest to fix, the script. Only one scene gives some history between Johnny and Notah, and it has little depth. There is no account of how the rift between Grimes and General Garcia began or escalated. Neither Sheriff Logan or the saloon girl, Kelly, have any history. A little more explanatory dialog could have made the characters more dynamic.

White Comanche is not well made, but do not avoid it if you have the time and desire to view it.