| Patrick Bauchau | ... | Adrien | |
| Haydée Politoff | ... | Haydée | |
| Daniel Pommereulle | ... | Daniel | |
| Alain Jouffroy | ... | Writer | |
| Mijanou Bardot | ... | Carole (as Mijanou) | |
| Annik Morice | ... | Carole's girlfriend | |
| Dennis Berry | ... | Charlie | |
| Seymour Hertzberg | |||
| Néstor Almendros | |||
| Patrice De Bailliencourt | ... | Homme dans l'auto | |
| László Benkö | |||
| Anne Dubot | |||
| rest of cast listed alphabetically: | |||
| Jackie Raynal | |||
| Eugène Archer | ... | Sam (uncredited) | |
| Brian Belshaw | ... | Haydée's boyfriend (uncredited) | |
| Pierre-Richard Bré | ... | Homme dans l'auto (uncredited) | |
| Donald Cammell | ... | Garçon à St-Tropez (uncredited) | |
| Alfred de Graff | ... | Touriste perdu (uncredited) | |
Directed by | |||
| Eric Rohmer | |||
Writing credits(in alphabetical order) | ||
| Patrick Bauchau | dialogue | |
| Haydée Politoff | dialogue | |
| Daniel Pommereulle | dialogue | |
| Eric Rohmer | ||
Produced by | |||
| Georges de Beauregard | .... | producer (as Georges De Beauregard) | |
| Alfred de Graff | .... | associate producer | |
| Barbet Schroeder | .... | producer | |
Original Music by | |||
| Blossom Toes | |||
| Giorgio Gomelsky | |||
Cinematography by | |||
| Néstor Almendros | |||
Film Editing by | |||
| Jackie Raynal | (as Jacquie Raynal) | ||
Second Unit Director or Assistant Director | |||
| László Benkö | .... | assistant director | |
| Patrice De Bailliencourt | .... | assistant director | |
Other crew | |||
| François Bogard | .... | technical advisor | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
It's hard to explain what is the Rohmer's cinema. In his movies you can't find heroes, incredible adventures or great action sequences. Everything happens inside the mind of the characters, and the most important aspect is the psychology of them.
La Collectioneuse is simply the masterpiece of Rohmer.
The plot is very simple: two boys and one girl in their friend's house in St.Tropez. That's all. There are not incredible events that happen, they simply LIVE there. It's an typical situation of Rohmer who likes to study the evolution of love triangles, in different situations. The explanation of the development steps, made by the usual interior voice of the main character (Adrien), it's incredibly accurate and likely. It's fantastic that sometimes Adrien's thoughts look at first to be absurd, but even in this case if we reflect a bit to that we can realize that it's true, that really in similar cases we have non-sense thoughts like those. In this way, Rohmer is unique: the psycho-evolution of the characters is incredibly real. Dialogs, internal and not, are superb and the directing essential.
Rohmer shows us how it's possible to make a masterpiece with a ridiculous budget, and how an intellectual movie can be also enjoyable and not so heavy.
The vote, of course, can't be different by 10 out of 10.