Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
Michael D. Moore
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
Scott Heyward, whose the son of a millionaire, is tired of woman fawning over him because of his wealth, meets Tom, who's on his way to his new job as a water skiing instructor at a hotel. They envy each other's life and decide to switch places. So Scott pretends to be Tom and Tom lives it up pretending to be Scott. Scott meets Dianne who is trying to land a rich guy and when playboy James Jamison catches her eye, she asks Scott to help her snag him. Scott agrees to but finds himself attracted to her. Scott also decides to build a boat for a speedboat race that's going to take place in the hotel but he's using a new experimental chemical which doesn't hold in water, which his father forbade him to use. Written by
Although this film was set in Miami, Florida, Elvis Presley's scenes were all shot in and around Los Angeles, California. All the Florida exteriors were shot in wide angles, using doubles and look-alike impersonators for Presley. See more »
Despite all the signs for the family-owned gas stations saying "Heyward", at the end of the movie when the real Scott shows Diane his driver's license, the last name is spelled "Hayward". See more »
As weird as this sounds, I've always preferred the Elvis movies that aren't considered among his best. His best include "Jailhouse Rock," "Loving You" and "Wild In The Country." You know, the heavier, more serious early ones.
No, I'll take his later films - you got it, the dumb, stupid, oh-so light ones. Films like "Tickle Me," "Girl Happy," "Spinout" and "Double Trouble." And "Clambake." The plots were always mindless fun and "Clambake" is no different.
Elvis was almost always a moody, brooding loner in the early films. He usually played unappreciative guys with chips on his shoulder the size of the Rock of Gibraltar. The characters in those films are guys I'd have little desire to know.
However, the guys he played in his later movies aren't that way at all. They're nice, decent, upstanding, fun-loving fellas. I like those guys. I like watching them as heroes, as leading characters in fun, dumb little movies. Hence, I like those movies a lot more. I couldn't give a rat's rear about appraising them as serious films because they're not.
In his silly mindless mid-'60s films, Elvis always had a goofy main sidekick. Here in "Clambake," it's Will Hutchins, who starred in one of Warner brothers' classic '60s television westerns, "Sugarfoot." And believe me, Hutchins can goof it up with the best of them.
The two wise, sage, old guys are (1) old pro James Gregory and (2) Bette Davis' ex, Gary Merrill, who, if you really look, often looked as though he hated whatever film he was in.
Elvis' Number One girl, Shelly Fabares plays the gal Elvis competes for with Bill "My Favorite Martian" Bixby. There are also plenty of Elvis Girls around, as usual.
Alas, there are no true classics or any memorable songs in the entire film. Tunes like "High Hopes" clone "Confidence" aren't either.
"Clambake" ain't no "Tickle me," but it's still great fun!
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