| Anne Wiazemsky | ... | Veronique | |
| Jean-Pierre Léaud | ... | Guillaume | |
| Juliet Berto | ... | Yvonne | |
| Michel Semeniako | ... | Henri | |
| Lex De Bruijn | ... | Kirilov | |
| Omar Diop | ... | Omar | |
| Francis Jeanson | ... | Francis | |
| Blandine Jeanson | ... | Blandine | |
| Eliane Giovagnoli | ... | Son ami |
Directed by | |||
| Jean-Luc Godard | |||
Writing credits(in alphabetical order) | ||
| Jean-Luc Godard | ||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Delphine Desfons | |||
| Agnès Guillemot | |||
Production Management | |||
| Philippe Dussart | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Charles L. Bitsch | .... | assistant director | |
Art Department | |||
| René Ferracci | .... | poster designer (uncredited) | |
Sound Department | |||
| René Levert | .... | sound | |
Camera and Electrical Department | |||
| Georges Liron | .... | camera operator | |
| Recent Posts (updated daily) | User |
|---|---|
| Not impressed... | seroe |
| Soundtrack... ? | Cinephilus |
| Trailer | MathiasLeonard |
| script de 'La Chinoise' | badlydrawnbas |
| VHS or DVD? | safeasmilk |
| Personal opinion on this film | anto_frenchy |
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| For Ever Mozart | Lotte in Italia | Tout va bien | The War Is Over | Joy of Learning |
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IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Godard's misunderstood film about a cell of Maoist students in 1967 France is not so much an endorsement of revolutionary politics as it is an exploration of it. Although the film clearly contributed to the revolt at Columbia uprising, and later the student May uprising of 1968, this is in fact a highly nuanced account of the variegated tendencies of radicalization among the French youth. We encounter an outdated renunciation of Marxism-Leninism, which sadly converted large swaths of radicalizing youths to Mao in the 1960's, and still has some resonance on the left today. This is a delightful mixture of politics and pop culture as only Godard can provide, that is, with passion and form.