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Chelsea Girls (1966)

 |  Drama  |  November 1968 (Denmark)
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Ratings: 6.3/10 from 813 users  
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Lacking a formal narrative, Warhol's art house classic follows various residents of the Chelsea Hotel in 1966 New York City, presented in a split screen with a single audio track in conjunction with one side of screen.

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Title: Chelsea Girls (1966)

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Cast overview, first billed only:
Brigid Berlin ...
Herself - The Duchess (as Brigid Polk)
Randy Borscheidt ...
Christian Päffgen ...
Himself (as Ari)
Angelina 'Pepper' Davis ...
Dorothy Dean ...
Eric Emerson ...
Patrick Flemming ...
Ed Hood ...
Arthur Loeb ...
Donald Lyons ...
Gerard Malanga ...
Marie Menken ...
Mario Montez ...
Nico ...
Ondine ...
Himself - Pope


Lacking a formal narrative, Warhol's art house classic follows various residents of the Chelsea Hotel in 1966 New York City, presented in a split screen with a single audio track in conjunction with one side of screen.

Plot Summary | Add Synopsis




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Release Date:

November 1968 (Denmark)  »

Also Known As:

Chelsea-lányok  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Shown as an "underground" movie at 41st Street Basement Cinémathéque, New York. See more »


Ingrid Superstar: Who wants to be an angel?
See more »


Featured in Andy Warhol (1987) See more »

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User Reviews

It's a intolerable to watch! It's experimental avant garde!--It's both!
4 November 2001 | by (Rochester, NY, USA) – See all my reviews

You know when you let your mind drift--especially when under the influence of drugs or alcohol--and you think up some idea that sounds like it would be great? A typical non-genius would consider an idea like that later and think, "well, this sounded like a good idea then but it's just stupid now?" Thankfully, Warhol said to himself, "no, I'm a genius and therefore that was a good idea."

And what was this brilliant idea?

Film a bunch of drug users and couples in various rooms of a hotel then project two films at a time side-by-side, shifting the audio to switch focus.

Doesn't that sound amazingly fresh and cool?

Don't answer yet! You also get:

  • randomly twitchy camera work

  • quasi-purposeful film speed changes

  • having the camera's point-of-interest fail to follow the viewer's


  • racking the zoom

  • sluggish response to bad focus after changing camera


  • over- and under-exposure

Now how much would you pay?

With your average film you'd get three or four reels, but with this, you get _12 reels!_ Plus, you get sketchy instructions on when to do transitions and change projectors, putting _you in the driver seat!_

Operators are standing by.

34 of 57 people found this review helpful.  Was this review helpful to you?

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