| Janine Reynaud | ... | Diana (as Janine Reynault) | |
| Rosanna Yanni | ... | Regina (as Rossana Yanni) | |
| Chris Howland | ... | Francis McClune | |
| Alexander Engel | ... | Albert Carimbuli | |
| Marcelo Arroita-Jáuregui | ... | Insp. Tanner (as Marcello Arriota-Jauregut) | |
| Manolo Otero | ... | Vittorio Freda (as Manuel Otero) | |
| Dorit Dom | ... | Dancer (as Maria Dom) | |
| Adrian Hoven | ... | Mr. Radeck | |
| Ana Casares | ... | Thiller's Assistant | |
| Michel Lemoine | ... | Morpho | |
| María Antonia Redondo | ... | Lida Regnier | |
| Vicente Roca | ... | Gallery manager | |
| Jesús Franco | ... | Napoleon Bolivard | |
| Elsa Zabala | ... | Fashion store owner | |
| Marta Reves | ... | Girl in Hotel lobby | |
| Ana Puértolas | ... | Blonde Dancer | |
| rest of cast listed alphabetically: | |||
| Claudia Gravy | |||
| Pilar Clemens | ... | (uncredited) | |
| Gert Günther Hoffmann | ... | Mr. Radeck (voice) (uncredited) | |
| Karl Heinz Mannchen | ... | Critic in Art Gallery (uncredited) | |
| Vicente Molina Foix | ... | Insp. Tanner's Assistant (uncredited) | |
| Julio Pérez Tabernero | ... | (uncredited) | |
| Manuel Velasco | ... | Receptionist (uncredited) | |
Directed by | |||
| Jesús Franco | |||
Writing credits(in alphabetical order) | ||
| Jesús Franco | idea and screenplay | |
| Karl Heinz Mannchen | story (uncredited) | |
| Luis Revenga | idea and screenplay | |
Produced by | |||
| Pier A. Caminnecci | .... | associate producer | |
| Adrian Hoven | .... | producer | |
| José López Moreno | .... | producer | |
Original Music by | |||
| Jerry van Rooyen | |||
Cinematography by | |||
| Jorge Herrero | |||
| Franz Hofer | (uncredited in Spanish version) | ||
Film Editing by | |||
| Francisco García Velázquez | |||
| María Luisa Soriano | |||
Art Direction by | |||
| Graf Pilati | |||
| Carlos Viudes | |||
Makeup Department | |||
| Manolita Ponte | .... | makeup artist (as Manolita G. de Ponte) | |
Production Management | |||
| Jesús García Gárgoles | .... | production supervisor | |
| Karl Heinz Mannchen | .... | production manager (as Karl-Heinz Mannchen) | |
Second Unit Director or Assistant Director | |||
| Luis Revenga | .... | assistant director | |
| Vicente Molina Foix | .... | assistant assistant director (uncredited) | |
Other crew | |||
| C.M. Wakefield | .... | director of dialogue | |
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| Gebissen wird nur nachts | Dr. Goldfoot and the Bikini Machine | Miss Congeniality | Psycho Beach Party | Die, Mommie, Die! |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Mystery section | IMDb West Germany section |
"Two Undercover Angels" is a fun and watchable if very slight film from Jess Franco, one of the most notorious and controversial filmmakers in cult film circles. The man made several truly amazing and captivating films, some entertaining diversions, and a lot of absolute crap. This falls in the middle category. Its a reasonably entertaining piece of pop art whimsy thats completely forgotten about once its over with. It shows that Franco, despite being a talented filmmaker, was extremely commercial and not prone at all to cash-ins. This campy little film seems quickly made to capitalize on the success of both "Barbarella" and "Danger: Diabolik".
There's a good amount of elements here that Franco is known for. A loopy and illogical plot (it is much easier to follow than his more well known films however), some crazy villains, pointless but welcome nudity, and beautiful women. The two undercover angels of the title are Janine Reynaud (who was in "Succubus", one of Franco's finest) and Rosanna Yanni, and are more than watchable whenever on screen. Adrian Hoven makes an amusing villain (he was also in "Succubus" and later the notorious "Mark of the Devil"). "Two Undercover Angels" is kind of like a bag of chips - its fun while it lasts, but ultimately pretty unsubstantial. It's entertaining, but completely forgettable and Franco's made much better films. (5/10)