Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
After the death of M, Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH and Le Chiffre, Bond thinks up the ultimate plan. That every agent will be named James Bond. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle, especially when the ultimate villain turns out to be Bonds nephew, Jimmy Bond. Written by
According to interviews with director Val Guest, Peter Sellers became such a problem during the filming that the decision was made to fire him before he had finished all of his scenes. As a result, the end of the marching band torture scene was noticeably altered and Sellers' subsequent scenes were written out. See more »
When Sir James Bond and Moneypenny are running down the hall in SMERSH headquarters, they are holding hands with Sir James on Moneypenny's right hand side, then not holding hands (with Sir James now on the left): they change sides three times before they reach the the blue door. See more »
The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy. It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. See more »
I highly recommend this film to anyone who is an aficionado of psychedelic or 1960's film/music/art. This was the most expensive psychedelic project of the entire era to my knowledge, in any format. The sets alone make the the feature worth seeing. Having a keen familiarity with the era and culture may not be enough to prepare one for appreciating this standout curiosity. One must also be widely versed in James Bond, novels and all, to understand much of the humor. That humor is set against an invisible backdrop of the unprecedented popularity of James Bond at the time. A degree of comfort with all things psychedelic is yet another requirement to fully digest this cinematic delight. Please note that this was a very "in" movie, to coin a phrase from the era, which also explains why "Casino Royale ('67)" receives unfavorable reviews. As this lavish production was targeted for the "in" crowd of that bygone era, it is only slightly more alien to the general public today. If you are "in", this high water mark of the era is an experience not to be missed.
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