Popular Broadway actor Gary Johnston is recruited by the elite counter-terrorism organization Team America: World Police. As the world begins to crumble around him, he must battle with terrorists, celebrities and falling in love.
After the death of M, Sir James Bond is called back out of retirement to stop SMERSH. In order to trick SMERSH and Le Chiffre, Bond thinks up the ultimate plan. That every agent will be named James Bond. One of the Bonds, whose real name is Evelyn Tremble is sent to take on Le Chiffre in a game of baccarat, but all the Bonds get more than they can handle, especially when the ultimate villain turns out to be Bonds nephew, Jimmy Bond. Written by
During the car chase, the milk van drops half of its cargo in a sharp turn. Later on, when the van passes the camera, the van is fully loaded again. See more »
[during a session in which Cooper is being trained to resist women]
It goes against my nature, you know.
I sense that, too. What are you doing after the exercise?
Having my head examined.
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The opening credit animation by Richard Williams parodies illuminated manuscripts with cartoon-style calligraphy. It sets the tone for the film as a psychedelic "knight's tale" of Sir James Bond. See more »
What can you say about a film with 5 directors and 10 writers?
Occasional fun for the 60's lover, but completely incoherent as entertainment. I should confess that as a young kid I did love the film, just as I loved _What's new Pussycat_, and when I got a little older I became a guilty admirer of _The Blues Brothers_ and _1941_. So I am sucker for the comedy epic/ celebrity ensemble.
However, _Casino_ is simply over the top at being over the top. It seems impossible to create a successful film with 5 directors and 10 writers (not including Ian Fleming, but including Ben Hecht, Joseph Heller, Terry Southern and Billy Wilder !!). The story lacks even a real protagonist; Niven and Sellers trade places in that role. When they run out of story, pie fights emerge, or fusillades of bullets, or tremendous explosions.
The film is certainly not without its merits. Like _What's New Pussycat_ they did manage to corral some of the most beautiful women of the time together in the same film. When Andress is not speaking, as in the "Look of Love" sequence or in Seller's "shampoo" dream she's truly breathtaking. Allen is always funny, and Welles does a pretty good turn as le Chiffre. The Bacharach score and Herb Alpert open and closing sequences are memorable.
As a DVD extra, the American dramatic version of _Casino Royale_ (1954) is included on the DVD, which predated Connery by 8 years!!
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