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5 items from 2017


‘King Arthur: Legend Of The Sword’ Review: Guy Ritchie’s Reinvention Is Definitely Not Your Father’s ‘Camelot’

9 May 2017 4:50 PM, PDT | Deadline | See recent Deadline news »

It has been 50 years since Warner Bros released its adaptation of the Lerner and Loewe musical Camelot. Now the studio is back on the King Arthur bandwagon with a wildly different take on the famous mythical world of the Knights of the Round Table. This new version actually is more like British Punks of the Round Table as director Guy Ritchie creates a brand-new backstory for Arthur in King Arthur: Legend of the Sword.  Since the romantic and gorgeously designed world of C… »

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50th Anniversary: the 20th Annual Cannes Film Festival

27 April 2017 9:00 AM, PDT | FilmExperience | See recent FilmExperience news »

by Nathaniel R

Franco Nero and Vanessa Redgrave at Cannes '67Fifty years ago on this very day over in France the 20th annual Cannes Film Festival opened with the French film I Killed Rasputin directed by Robert Hossein. The jury was headed by the influential Italian director Alessandro and featured both Shirley Maclaine and Vincente Minnelli, two of our favorites.

When the festival closed that year the awards were spread out (as they should be) with lots of countries winning something. The Palme d'Or went to Michelangelo Antonioni's brilliant Blowup at the end of the festival (a film we tried to interest y'all in a few years ago to crickets. *sniffle*). Check out Vanessa Redgrave's frankly awesome full-body get-up on the red carpet with her then brand new lover Franco Nero (of Camelot fame). They finally married 11 years ago!

Both of the acting prizes went to young actors. »

- NATHANIEL R

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27 Things We Learned from Francis Ford Coppola’s ‘Finian’s Rainbow’ Commentary

15 March 2017 8:32 AM, PDT | FilmSchoolRejects.com | See recent FilmSchoolRejects news »

“Before I said I was going to do Finian’s Rainbow I should have read the book.”Finian’s Rainbow (1968)

Commentator: Francis Ford Coppola (director)

1. Regarding the film’s opening frame featuring the word “overture” onscreen, he says it’s because this was what was referred to as a roadshow production. “They were like a night at the theater. You were given a program, it was an event, and as you came to your seat there was an overture playing.” It’s a long absent format, but Quentin Tarantino recently revived it for some screenings of The Hateful Eight.

2. He says a benefit of 70mm productions was that “the soundtrack would be in six-track magnetic stereophonic sound and was very high quality.”

3. The Warner Bros/Seven Arts logo reminds him of his time spent at the latter company working as a staff writer when they bought WB. “It was quite a coincidence related to my directing this »

- Rob Hunter

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Jackie review – a symphony of grief at the White House

22 January 2017 1:00 AM, PST | The Guardian - Film News | See recent The Guardian - Film News news »

Natalie Portman is extraordinary as JFK’s widow, but the real star of Pablo Larraín’s kaleidoscopic film is Mica Levi’s score

In its 6 December 1963 issue, Life magazine published “An Epilogue” for John F Kennedy which enshrined an idea that would come to define his legacy. Citing the Lerner and Loewe musical beloved by her husband, Jackie Kennedy told reporter Theodore H White: “There’ll be great presidents again… but there’ll never be another Camelot.” It was an idea that stuck, effectively immortalising JFK’s all-too-brief tenure in the White House as a lost golden age. “Don’t let it be forgot,” Jackie kept repeating, “that there once was a spot, for one brief shining moment that was known as Camelot.”

A fictionalised version of this encounter provides the framework for the Chilean director Pablo Larraín’s Jackie, a dizzying kaleidoscope of reconstruction, reportage and reinvention that mirrors »

- Mark Kermode Observer film critic

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David and Bathsheba

13 January 2017 1:03 PM, PST | Trailers from Hell | See recent Trailers from Hell news »

David and Bathsheba

Blu-ray

Kl Studio Classics

1951 / Color / 1:37 flat Academy / 116 min. / Street Date January 10, 2017 / available through Kino Lorber / 29.95

Starring: Gregory Peck, Susan Hayward, Raymond Massey, Kieron Moore, James Robertson Justice, Jayne Meadows, George Zucco, Francis X. Bushman, Gwen Verdon

Cinematography: Leon Shamroy

Art Direction: George Davis, Lyle Wheeler

Film Editor: Barbara McLean

Original Music: Alfred Newman

Written by: Philip Dunne

Produced by: Darryl F. Zanuck

Directed by Henry King

Right in the middle of WW2, 20th Fox struck religious pay dirt with two respectful religion-themed movies, one about a miracle and another about the hard life of a priest. Each created a new Hollywood star. Five years later there began a regular Hollywood Bible War. In 1949 Cecil B. DeMille released his first Biblical epic in Technicolor, Samson and Delilah, throwing violence, sex and hammy acting at the screen in even measure. MGM bounced back with a tremendous production of »

- Glenn Erickson

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5 items from 2017


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