| Janine Reynaud | ... | Diana (as Janine Renaud) | |
| Rosanna Yanni | ... | Regina (as Rossana Yanni) | |
| Chris Howland | ... | Francis McClune | |
| Michel Lemoine | ... | Jacques Maurier | |
| Manuel Velasco | ... | Andy (as Manolo Velasco) | |
| Manolo Otero | ... | Dimitri (as Manuel Otero) | |
| Ana Casares | ... | Linda | |
| Adrian Hoven | ... | Eric Vicas | |
| Marta Reves | ... | Irina | |
| Barta Barri | ... | Inspektor Kramer | |
| María Antonia Redondo | ... | Bulumba | |
| Jesus Franco | ... | Abilene's Contact Man | |
| Dorit Dom | ... | Anita (as Maria Dom) | |
| rest of cast listed alphabetically: | |||
| Fernando de Rojas | |||
| Carlos Mendy | |||
| Gregorio de Mora | ... | Andros | |
| Nélida Quiroga | |||
| Caroline Rivière | |||
Directed by | |||
| Jesus Franco | |||
Writing credits | ||
| Jesus Franco | (idea) & | |
| Luis Revenga | (idea) | |
| Jesus Franco | (screenplay) & | |
| Luis Revenga | (screenplay) | |
| Karl Heinz Mannchen | story (uncredited) | |
Produced by | |||
| Pier A. Caminnecci | .... | associate producer | |
| Adrian Hoven | .... | producer | |
| José López Moreno | .... | producer | |
Original Music by | |||
| Jerry van Rooyen | |||
Cinematography by | |||
| Jorge Herrero | |||
| Franz Hofer | |||
Film Editing by | |||
| Francisco García Velázquez | |||
| María Luisa Soriano | (as Maruja Soriano) | ||
Art Direction by | |||
| Graf Pilati | |||
| Carlos Viudes | |||
Production Management | |||
| Karl Heinz Mannchen | .... | production manager (as Karl-Heinz Mannchen) | |
Second Unit Director or Assistant Director | |||
| Francisco Lara Polop | .... | assistant director | |
Music Department | |||
| Daniel White | .... | composer: additional music (uncredited in German version) | |
Other crew | |||
| C.M. Wakefield | .... | director of dialogue | |
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| Sadist Erotica | She Killed in Ecstasy | The Good German | Perfect Stranger | Married to the Mob |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Spain section |
I am a big Fan of Jess Franco, who is, with over 180 films as a director, quite possibly the most prolific filmmaker alive. There is no doubt that the man's impressive repertoire includes some masterpieces ("Miss Muerte", "Venus In Furs"), many highly entertaining flicks and many stinkers ("Sadomania") alike. While "Küss Mich, Monster" of 1969 is certainly not one of the highlights in Franco's career, it is yet a camp and quite fun to watch little spy-spoof that fans of Franco and amusing kitsch in general should enjoy. Even though the film has a certain macabre humor, this is easily one of the tamest films from this highly prolific exploitation director. Of course, the year is 1969, and it is obvious that the film is not gonna be the sleaze-fest that Franco's 70s and 80s productions were. While I did expect 60s sexploitation, however, the film has some kinky parts, but is overall a pretty harmless little black comedy. Janine Reynaud's bared breasts are the most nudity the viewer will get to see in this film, and the violence is also very tame for Franco standards. Yet, this does in no way lessen the film's value as a likable and amusing (if terribly silly) little comedy that should not leave its viewers bored. This is a sequel to the (supposedly better) "Rote Lippen, Sadisterotica" from the same year. It follows two sexy female spies, Diana (Janine Reynaud) and Regina (Rosanna Yanni), on their investigations, which mainly include flirtations, skimpy outfits, eccentric villains and bizarre situations. This is certainly no highlight of any sort, but camp humor and the sexy female cast make it a worthwhile time-waster. Recommended to my fellow Jess Franco fans.