| Sid Caesar | ... | George Norton | |
| Robert Ryan | ... | Charley Barker | |
| Anne Baxter | ... | Margo Foster Kane | |
| Kay Medford | ... | Ma Norton | |
| Jan Murray | ... | Murray Foster | |
| Richard Pryor | ... | Whittaker | |
| Arlene Golonka | ... | Bobbi Brody | |
| Charles McGraw | ... | Fred Harwell | |
| Ben Blue | ... | Felix Rose | |
| Dom DeLuise | ... | Kurt Brock | |
| Bill Dana | ... | Archie Brody | |
| Godfrey Cambridge | ... | Mike | |
| Marty Ingels | ... | Willie | |
| George Jessel | ... | Mr. Fessel | |
| Mickey Deems | ... | Cop #1 | |
| Paul Wexler | ... | Mr. Merriwether | |
| Marina Koshetz | ... | Marcia Woshikowski | |
| Norman Bartold | ... | Board Member | |
| Mike Wagner | ... | Board Member | |
| Larry Gelman | ... | Board Member | |
| Don Brodie | ... | Board Member | |
| Choo Choo Collins | ... | Woman #1 | |
| Walt Davis | ... | Bit Cop (as Walter Davis) | |
| Audrie Magee | ... | Mrs. Fessel | |
| rest of cast listed alphabetically: | |||
| Sheila Bartold | ... | Woman (uncredited) | |
| Faith Christopher | ... | Woman (uncredited) | |
Directed by | |||
| William Castle | |||
Writing credits(in alphabetical order) | ||
| Ben Starr | screenplay | |
| Donald E. Westlake | novel | |
Produced by | |||
| William Castle | .... | producer | |
| Dona Holloway | .... | associate producer | |
Original Music by | |||
| Vic Mizzy | |||
Cinematography by | |||
| Harold E. Stine | (as Harold Stine) | ||
Film Editing by | |||
| Edwin H. Bryant | |||
Art Direction by | |||
| Roland Anderson | |||
| Hal Pereira | |||
| Al Roelofs | |||
Set Decoration by | |||
| Robert R. Benton | (as Robert Benton) | ||
| Jack Mills | |||
Makeup Department | |||
| Nellie Manley | .... | hair style supervisor | |
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| C. Kenneth Deland | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Andrew J. Durkus | .... | assistant director | |
Sound Department | |||
| Harold Lewis | .... | sound recordist | |
| John Wilkinson | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Paul K. Lerpae | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Jack Taylor | .... | wardrobe: Mr. Caesar | |
Music Department | |||
| Gus Levene | .... | orchestrator (uncredited) | |
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| Psycho | The Night of the Hunter | Making the Headlines | I Confess | Terror by Night |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Looks like I'm the only one here who really enjoys The Busy Body, a movie I've watched many times and love. Sid Caesar is really funny, prissy and nitpicky as an obsessive-compulsive, overly fastidious clothes horse (a parody of a GQ/Esquire reader) who is a deliveryman for the mob (like the boss's lunch). Sid's decision to play it straight, as opposed to a scaredy-cat type like Don Knotts, works. Robert Ryan's great, a tough as nails, quick igniting organized crime boss, a combination of Marine drill sergeant and hood. The interaction between these two makes BB the fun pic it is. I wish there had been more of it. The supporting cast is a true who's who of comedic geniuses, from Bill Dana and Dom DeLuise to Godfrey Cambridge and Marty Engels. An added bonus is a young Arlene Golonka in the prime of her stacked sexiness and sweet, ditzy personality. The Vic Mizzy soundtrack is a plus.