After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The... See full summary »
After a senator suddenly dies after completing (and sealing) an investigation into the nuclear power industry, the remaining senator and the state governor must decide on a person who will ... See full summary »
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
A malicious motorcycle gang harasses the residents of a small California town, intimidating most residents to not report them to the police. Among the gang's crimes is the rape of four young women. As the gang attempts to threaten the women into not testifying at the indictment hearing, one of the women, Vicki, comes under the protection of Billy Jack, who has also had several altercations with the gang. The gang escalates their pressure on both Vicki and Billy Jack to keep her out of the courtroom. Written by
Warren Anderson <email@example.com>
When Billy is locked up after the brawl at the start of the movie, his jailer is played by the same actor who locks up John Rambo at the start of First Blood. See more »
When Vicki tries to escape after the biker shuts off the fuel valve, her motorcycle slows to a halt after the carburetors run empty. The sound of the motor slowing down to a stop is that of a 4 cycle engine. This bike had a 2 cycle motor, as did all Yamaha bikes in the '60s. See more »
While most people are familiar with Tom Laughlin's half Native American/half Anglo cult figure Billy Jack through THE LEGEND OF BILLY JACK, many don't know that the character originally appeared in this flick, an off-kilter biker flick about a group of psycho cyclists who terrorize a small California town over Spring Break and zero in on a young college co-ed whom they raped and don't want to testify against them. No, the film isn't as good(or political)as the two sequels, but it does say something about the isolation of the individual in a society that won't stand up and protect that individual from harm. There's a profound sense of solitude in the cinematography of beaches and seaside highways and the sparse, often inarticulate dialog. And, looking closely at the motorcycle gang, you can see some none-too-subtle homosexual overtones. Of course, all the quick cuts and zoom shots earmark the film as a product of late sixties moviemaking. Still, if you want to catch a glimpse of Billy Jack's debut or like to study sixties film styles, take a look at this one
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