Bonnie and Clyde (1967) Poster


Warren Beatty wanted to produce this movie in black and white. This was rejected by Warner Brothers.
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Gene Hackman was on the set one day when he noticed a guy standing behind him and staring. The man said, "Hell, Buck would've never wore a hat like that." Hackman turned around and looked at him and said, "Maybe not." He looked like an old Texas farmer. The man introduced himself and said, "Nice to meet you - I'm one of the Barrows."
The characters Eugene Grizzard and Velma Davis (played by Gene Wilder and Evans Evans) are based on Dillard Darby and Sophia Stone of Ruston, Louisiana. On the night of April 27, 1933, Darby and Stone were briefly kidnapped by the Barrow gang, who had stolen Darby's car. After driving around Ruston for several hours, Darby and Stone were released unharmed. During the drive, when Darby mentioned that he was an undertaker, Bonnie Parker remarked, "Well, maybe you'll work on me someday." A year later, Darby did just that. He was one of the undertakers who worked on Bonnie Parker's body after she and Clyde Barrow were killed in the roadside ambush near Gibsland, Louisiana, in May, 1934.
In the Special Edition DVD Documentary, Estelle Parsons says she was the only member of the cast who actually researched the history of the Barrow Gang. She also says that early in the filming, she wanted to meet the real Blanche Barrow but Warren Beatty, in his capacity as the producer, was against the idea. Finally, after a week, Warren relented and set up a meeting with Blanche, but at that point Parsons lost interest and never met Blanche. In fact, Warren Beatty brought the script to Blanche for her to read for her approval before she would give permission to use her name. She agreed the script was factual and approved it. While there he played her piano and sang for her. She was very fond of Warren even though the director completely changed the script to make her look as in her own words, "A screaming horse's Ass." She took her third husband Eddie to see the movie with her for the first time and nearly died of embarrassment.
Near the end of the film, Bonnie and Clyde are lying in bed discussing marriage. In reality, Bonnie was already married; she married her high school sweetheart, Roy Thorton, before meeting Clyde. Thorton was a petty criminal who was sent to prison for life for murder. Despite his conviction, Bonnie never divorced him and to the day she died, Bonnie Parker was officially "Mrs. Roy Thorton." Bonnie was still wearing Thornton's ring when she was killed.
The story of Bonnie Parker smoking a cigar in a picture is accurate. She did it as a joke. But after the shootout at the bungalow in Joplin, MO, police found the photos the gang had taken and published the photo of Bonnie, thereby leading to her unearned rep as a "Cigar Smokin' Gun Moll".
In a 1968 interview, Warren Beatty mentioned that his last conversation with ex-girlfriend Natalie Wood took place in the summer of 1966 when he tried unsuccessfully to get her to play Bonnie Parker in his film. Later that evening, she attempted to take her own life and was discovered by her live-in housekeeper.
In one scene, while holding up a bank, Clyde Barrow tells a farmer he can keep his own money. ("Is that your money or the bank's?" "It's mine." "You keep it then.") In real life, it was bank robber Pretty Boy Floyd who allowed a farmer to keep his own money during a holdup.
Roger Ebert had only been a film critic for six months when he saw this film and hailed it as the first masterpiece he had seen on the job.
Jane Fonda appeared on the Dec. 6, 2012 episode of Bravo's "Watch What Happens Live" and confessed that she auditioned for Bonnie, a role she wanted desperately, and was still pissed for losing it to Faye Dunaway, ending decades-long rumors that Jane had turned down the role.
In a TV interview director Arthur Penn pointed out that this film shows for the first time the firing of a gun and the consequences in one single frame. Before that you would see a gun being fired, then cut and the next scene shows the bleeding body. In Bonnie and Clyde you see a gun being fired into the face of a person without inter cut. This was incredible at the time and would have been censored in the past. (Such a shot had, however, had already been used in all three of the films Sergio Leone's "Dollars" trilogy.)
Half a dozen of the cars used in the movie, including the one stolen from Gene Wilder's character were loaned to the studio by a private owner who specialized in the restoration of Model A's, Roadsters, and Model T's, Mr. Seng of Castro Valley, California. His only requirement in loaning the studio his cars was that they were not to be shot up.
Michael J. Pollard didn't realize in eating scenes that you don't actually eat all the food because of the possibility of repeated takes. Sure enough, he soon regretted it in the scene in which the outlaws kidnap a couple and eat their lunch in the car. By the 12th take, Pollard was feeling decidedly ill, having had to eat 12 whole hamburgers.
Producer Warren Beatty requested that the sound of gunshots in the movie should be much louder than the rest of the soundtrack. He was greatly influenced by Shane (1953) in this regard. However, at a screening in London he noticed that the gunfire sounds were much softer than intended. He went to the projection booth, where the projectionist told he that he had "helped" the film by adjusting the gunfire sounds. The projectionist said that he had not come across a film as poorly mixed since "Shane".
The real Blanche Barrow sued Warner Brothers over the way she was depicted in the film. In reality, Barrow was the same age as Bonnie Parker, arguably better looking than her, she was not a preacher's daughter and had married Buck knowing full well that he was an escaped prisoner and twice divorced.
Morgan Fairchild, who was active in Dallas theatre, began her film career in this film as Faye Dunaway's stand-in.
Bonnie's family reunion scene was shot through a window screen to give it a hazy, nostalgic effect.
Thousand of berets were sold worldwide after Faye Dunaway wore them in this film.
The poem that Bonnie reads aloud in the rented flat is "The Story of Suicide Sal," written by Bonnie Parker in 1932.
Warner Brothers had so little faith in the film that, in an unprecedented move, it offered its first-time producer Warren Beatty 40% of the gross instead of a minimal fee. The movie then went on to gross over $50 million.
The scene in which C.W. Moss parallel parks the getaway car while Clyde and Bonnie are in the bank, and then has trouble getting the car out of the space, is based on a true event--but it didn't happen to Bonnie and Clyde. It occurred on June 10, 1933; the bank robbers in question were John Dillinger and William Shaw, and the driver was Paul "Lefty" Parker. This is documented in Bryan Burrough's "Public Enemies: American's Greatest Crime Wave and the Birth of the FBI, 1933-34," upon which the film Public Enemies (2009) was based.
Cher auditioned for the role of Bonnie Parker, but when her husband/manager at the time, Sonny Bono, heard about the audition, he was furious at Warren Beatty for letting his wife audition for such a "controversial film".
Michael J. Pollard's character, C.W. Moss, is a fictional conglomeration of all of Bonnie and Clyde's minor sidekicks including: Ralph Fults (their first sidekick), William Daniel Jones (nicknamed "W.D." and "Deacon", and was an attendant at the gas station owned by Clyde's father), Ray Hamilton, and Henry Methvin (who's father made the deal with Frank Hamer to set Bonnie and Clyde up).
After François Truffaut's departure from the project, the producers approached Jean-Luc Godard. Some sources claim Godard didn't trust Hollywood and refused; other allege he planned to change Bonnie and Clyde to teenagers and relocate the story to Japan, prompting the film's investors to force him off the project.
Warner Bros. gave the movie a limited, "B" movie-type release at first, sending it to drive-ins and lesser theaters. When critics began raving about the film and young people began to show up at screenings, it was better promoted, given a wider release and became a huge hit.
During one of the bank robberies, Buck Barrow (Gene Hackman) does a leap over the tellers' cage. This was a stunt routinely pulled by John Dillinger, who in turn learned it from watching Douglas Fairbanks in the "Zorro" movies.
The family gathering scene was filmed in Red Oak, Texas. Several local residents were watching the film being shot, when the filmmakers noticed Mabel Cavitt, a local school teacher, among the people gathered. She was chosen then and there to play Bonnie Parker's mother.
When Warren Beatty was on board as producer only, his sister Shirley MacLaine was a strong possibility to play Bonnie. But when Beatty decided to play Clyde himself, for obvious reasons he decided not to use MacLaine.
In real life Blanche Barrow did not run from the Joplin apartment screaming with a spatula. In fact she helped Clyde push one of the police cars out of the driveway which was down hill. The car started rolling faster and rolled across the street into a large tree. They both were dragged by the momentum and that is what witnesses saw. Clyde was shot at that time and Blanche let out one yelp and kept moving to get out of the line of fire. That was about the last shot since the officer shooting ran out of ammo so Buck called her back and she returned to get into the escape car in front of the apartment rather than being picked up down the street as the movie portrayed.
Leading Newsweek film critic Joseph Morgenstern hated the film when he first saw it, but then later took the unprecedented step of admitting that his original review was completely wrong. His revised version raved about the film.
Arthur Penn originally turned the script down but after various other directors did likewise - including William Wyler - Warren Beatty was compelled to take it back to Penn. The director agreed only on condition that he could make some important changes, the main one being making Clyde impotent as opposed to bisexual.
A screening for Jack L. Warner went very badly for Warren Beatty and Arthur Penn - Warner got up three times to pee. Warner initially dumped the film into drive-in and second run theaters and apparently went to his grave still hating the film.
Bonnie Parker was 4'10" tall, nine inches shorter than Faye Dunaway.
Before deciding to play the role himself, producer Warren Beatty's first choice for the role of Clyde Barrow was musician and composer Bob Dylan, who resembled the actual Barrow more strongly than Beatty.
The movie that Bonnie and Clyde go to see after their botched bank robbery when C.W. Moss parallel parked their get away car was Gold Diggers of 1933 (1933).
C.W. Moss mentions, in the first scene with Buck and Blanche, that Myrna Loy is his favorite movie star. Loy was supposedly a favorite actress of John Dillinger. In fact, when he was gunned down outside the Biograph Theater in Chicago, the film he had just seen was Manhattan Melodrama (1934), in which Loy starred.
The movie's line "We rob banks." was voted as the #41 movie quote by the American Film Institute (out of 100).
Debut of Gene Wilder.
Future film maker Curtis Hanson, who began his career as a photographer, took a series of modeling photos of Faye Dunaway which helped to get her the job as Bonnie Parker. According to Hanson on the Special Edition DVD Documentary, when Dunaway came under consideration, Warren Beatty called him and asked Hanson to bring a slide show presentation of the photos to show to both Beatty and Arthur Penn. After viewing the photos, Dunaway was cast. According to Hanson, Warren Beatty wanted to pay him for the photos but Hanson instead asked to accompany them to Texas so he could observe the filming to which Beatty agreed.
Unusually for such a graphic and violent film, Arthur Penn intended it to be partly comic, almost like a send-up of the 1930s era gangster films.
Veteran cinematographer Burnett Guffey - an Oscar-winner From Here to Eternity (1953) - had frequent arguments with Arthur Penn over his radical shooting style. Ironically Guffey went on to win another Oscar for his work on Bonnie and Clyde (1967).
Costume designer Theadora Van Runkle had to deal with Warren Beatty's worries (6'4") that he would be upstaged by Faye Dunaway(who stood 5'7"). This is why Van Runkle kept Dunaway in flat shoes throughout the film.
Originally writers Robert Benton and David Newman wrote Clyde Barrow as a bisexual, a point which they felt was non-negotiable. Warren Beatty had no objections but Arthur Penn did. He felt that to have Clyde be part gay on top of all the other social dysfunctions featured in the film would just make the audience think they were watching a bunch of freaks. Benton and Newman couldn't help but agree.
When scouting for locations, production designer Dean Tavoularis was delighted to see that a lot of the smaller Texas towns hadn't changed much from the 1930s.
One of Arthur Penn's intentions was to make the character of Blanche as hysterical as possible so that it would make Bonnie look even cooler.
The film has a dynamic soundtrack that gets much louder during the gunfights. The British premiere of the film was notable because the projectionist previewed the film and thought the volume changes were a mistake, so he made careful notes for when to turn it up and when to turn it down so that the volume was "corrected."
Heavily influenced by the French New Wave directors, mainly through its rapid shifts of tone and its choppy editing.
Arthur Penn was particularly fascinated with the way Akira Kurosawa handled violent action and death in his films. In particular, he drew on Kurosawa's balancing of slow motion and real time that he employed in Seven Samurai (1954).
The first choice for director, François Truffaut, expressed a keen interest in the project and may have even been involved in the development of the screenplay. However, before filming could begin, the opportunity arose for Truffaut to make Fahrenheit 451 (1966), a long-cherished project of his, and he dropped out to make that film instead.
Ranked #5 on the American Film Institute's list of the 10 greatest films in the genre "Gangster" in June 2008.
Morgan Woodward was originally slated to play Frank Hamer, but he was held up when filming of Cool Hand Luke (1967) fell behind, so the part was given to Denver Pyle.
Warren Beatty really wanted his then lover Natalie Wood to play the part of Bonnie Parker but Wood wanted to concentrate on her therapy at the time. She also didn't want to work professionally with Beatty again who she considered "difficult".
One of the first films to feature an extensive use of squibs.
At the time, this was Warner Brothers' second highest grossing film, after My Fair Lady (1964).
In reality, the bank robbers picked up about three people in their travels. This was merged into one character in the form of C.W. Moss.
Cinematographer Burnett Guffey was dismissed during this production due to artistic clashes with director Arthur Penn (Guffey wanted more light - Penn wanted a more subdued tone). In the meantime, veteran cinematographer Ellsworth Fredericks replaced Guffey, but only for a brief period. Penn, realizing that he'd misjudged Guffey, ultimately reinstated him and Guffey went on to win a second Oscar for Best Cinematography for his efforts.
Billed as 'America's Most Wanted Broadway Musical, 'Bonnie & Clyde' is set to open on Broadway at the Gerald Schoenfeld Theatre in November, 2011 starring Laura Osnes Laura and Jeremy Jordan.
This was the final movie from Warner Bros. Pictures to use the classic WB shield logo until spring 1972; the following month after "Bonnie and Clyde's" release, movies from Warner Bros. Pictures had a stylized "W-7" shield to represent the then-recent merge of Warner Bros. and Seven Arts, which lasted until 1970. (The movie is copyright to Warner Bros.-Seven Arts, however.)
Since this was Estelle Parsons's first film, she was amazed at the extent of the special effects. When she and Gene Hackman attempt an escape from a motel room using a mattress for protection from police gunfire, Parsons was required to crank a concealed wheel that sequentially detonated squibs embedded in the foam, simulating police bullet hits.
Warren Beatty considered casting Bob Dylan as Clyde Barrow.
Once Warren Beatty came on board, one of the first things deleted from Robert Benton and David Newman's script was a homosexual affair between Clyde and Moss.
Natalie Wood reportedly turned down the chance to appear with former co-star Warren Beatty again. Other actresses considered for the role of Bonnie Parker included Tuesday Weld, Ann-Margret,Jean Hale, Carol Lynley and Sue Lyon.
In 2007, the American Film Institute ranked this as the #42 Greatest Movie of All Time.
Premiere voted this movie as one of "The 25 Most Dangerous Movies".
Screen writer Robert Towne did uncredited work as a story consultant on the movie. He is featured in interviews for the Special Edition DVD Documentary.
Michael J. Pollard admitted in later interviews that he borrowed his accent from Bob Dylan on the "Blonde on Blonde" album.
Faye Dunaway nearly lost the part of Bonnie Parker as she had put on some weight for Hurry Sundown (1967).
Many consider one of the reasons why the film was so successful was because of its anti-establishment stance. At the time, disillusionment with America's involvement in Vietnam was gaining ground.
Timothy Carey was up for a big part in this film, but Arthur Penn didn't cast him because he was genuinely afraid of Carey.
Estelle Parsons had been appearing on Broadway in the title role of Tennessee Williams' "The Seven Descents of Myrtle" at the time the Oscar nominations were announced, and had to be whisked out of New York by Warren Beatty to attend the L.A. ceremonies and receive her first Oscar.
Although technically still the only film rated "M" by the MPAA (the early equivalent of the later "PG", introduced in 1973), since this rating no longer exists, all home video and DVD versions released after 1973 are marked "Not Rated". Bonnie and Clyde was released before the ratings so this may be the reason it is labeled unrated. The M rating was used for more than one year, and many movies were given that rating. It was changed to GP in 1970 and then later to PG.
Warren Beatty offered George Stevens, William Wyler, Karel Reisz, John Schlesinger, Brian G. Hutton, and Sydney Pollack the chance to direct.
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Julie Christie turned down the role of Bonnie Parker.
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In contrast to his infamous womanizing, Warren Beatty did not have an affair with Faye Dunaway. They agreed to remain platonic for the sake of the film.
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Jack Nicholson was considered for the role of C.W Moss. He was deemed too similar to Warren Beatty.
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In the movie, Bonnie catches Clyde stealing her mother's car and that is how they meet. In reality, it is believed that they met when a mutual friend broke her arm and Bonnie was staying with her to act as caretaker. Clyde happened to come pay the friend a visit and discovered Bonnie making hot chocolate in the kitchen. It was claimed that it was love at first sight. That was on January 5, 1930 at Clarence Clay's house. The address was 105 Herbert Street in West Dallas.
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While it was most likely W.D. Jones' interview with police shortly after his capture that lead to rumors of Clyde being a homosexual (as well as Bonnie supposedly being a nymphomaniac), in a November 1968 interview with Playboy, W.D. claims he does not know where those rumors started. In the interview, he is quoted as saying, "I've heard stories since that Clyde was homosexual, or, as they say in the pen, a "punk," but they ain't true. Maybe it was Clyde's quiet, polite manner and his slight build that fooled folks. He was only about five feet, six inches tall and he weighed no more than 135 pounds. Me and him was about the same size, and we used to wear each other's clothes. Clyde had dark hair that was wavy. He never had a beard. Even when he didn't shave, all he had on his chin was fuzz. Another way that story might have got started was his wearing a wig sometimes when him and Bonnie had to drive through a town where they might be recognized. He wore the wig for disguise and for no other reason. Clyde never walked right, either. He'd chopped off his big toe and part of the second toe on his left foot when he was in prison, because he couldn't keep up, with the pace the farm boss set. Or the story could have come from sensation writers who believed anything dropped on them and who blew it to proportions that suited their imagination. I knew alot of convicts the years I was in prison - some of them years on Eastham Farm where Clyde had served his time-and none of them had a story on him being a punk. Matter of fact, nobody - not the police who asked me questions for hours and hours or the reporters who got in to see me-ever mentioned it. The subject just never come up then. It's just here recently, more than 30 years since Clyde was killed, that I've heard the story. I was with him and Bonnie. I know. It just ain't true."
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The trivia items below may give away important plot points.

A crucial fact left out of the movie was that Bonnie Parker was virtually incapacitated for the last year of her life from a car wreck. Clyde Barrow was driving fast down a lonely country road in Texas when he came upon a washed-out bridge. Unable to stop in time, the car went over the edge crashed and into the creek. The force of the impact jarred Bonnie's seat forward, pinning her in the car as it began to catch fire. She received severe burns on the backs of her legs that made it difficult to walk. She would either limp or was carried by Clyde. She was, in fact, injured at the time of the nighttime tourist court shootout and the field shootout (where Buck was killed) that occur near the end of the film.
In real life, Clyde Barrow was a highly dangerous marksman who had mastered most firearms including the Browning Automatic Rifle and the Thompson Sub Machine Gun. The lawmen chasing him were well aware of his ability with a gun which partly explains the ruthlessness behind the way he was gunned down.
The ending of the film was quite romanticized in comparison to the real-life couple's death. In the film, Clyde stops his car on a country road to help a friend change a flat tire. Once they realize the friend has set them up, the bank-robbing duo look at each other lovingly, and make a desperate attempt to be in each other's arms once more before being cut down by machine-gun fire. In reality, Bonnie and Clyde were ambushed just outside Gibsland, Louisiana, on May 23, 1934. They did not get out of their car, which was raked by 187 shells. Clyde had been driving in his socks, and Bonnie had a sandwich in her mouth.
In reality, Buck Barrow's death was much more brutal. After being shot repeatedly, a police officer stepped on his face and was about to deliver the killer shot before Blanche's screaming alerted him to what he was actually doing.
For the climactic massacre, Faye Dunaway's leg had to be tied to the gear shift to prevent her from falling completely out of the rocking car
The final moment of the field shoot out in which the posse surrounds a dying Buck and a hysterical Blanche is based on the rare "action" photo taken of that moment. In actuality, Blanche was screaming at an officer who had his foot on Buck's wounded head and a gun to his face threatening to shoot him again. She was begging him not to shoot him again because he was already dying.
Gene Hackman regretted his decision to film Buck's death scene in his vest. The scene was shot several times out of sequence; when they came to complete it, winter had set in and Hackman had to play it in his vest in near-freezing conditions.
The car that the real Bonnie Parker and Clyde Barrow met their fate in is on display (along with Barrow's bullet-riddled shirt) in Primm Valley Hotel and Casino in Primm, NV, 20 miles outside of Las Vegas near the California border. The prop car used in the film was displayed as part of a "Bonnie and Clyde" diorama at Planet Hollywood Dallas, in Dallas, TX. The Planet Hollywood in Dallas closed in 2001 and the car is now owned by a private collector.
Contrary to the film's portrayal of Blanche Barrow inadvertently divulging the identity of C.W. Moss to Texas Ranger Frank Hamer, thereby setting Bonnie and Clyde's deaths in motion, in real life Hamer found Bonnie and Clyde through simple tracking methods. Hamer knew that they traveled in a loop. They would routinely start in Dallas, move north through Oklahoma and Kansas, cut east to Missouri, south to Arkansas and Louisiana, and west back to Dallas. Knowing that gang member Henry Methvin (on whom the C.W. Moss character is partly based) had family in Louisiana, Hamer struck a deal with Methvin's father (as seen in the movie) to set up Bonnie and Clyde.
According to Warren Beatty in the Special Addition DVD documentary, in the death scene, the make up department fixed a fake scalp over his real hair with a line so that while he was being shot, it would look like his head was being blown off. Beatty says that partially the reason why he had the fruit in his hand was that the moment he squeezed the fruit was supposed to signal the make up artist to pull the line and rip the scalp off. However, when the scene was being filmed, the artist was so nervous that he forgot to pull the line. By the same token, Faye Dunaway mentions that the make up artists also put appliances over her face that were also wired so that when she was being shot they would yank off the flesh colored covers.
According to the film's editor Dede Allen, the climactic massacre was meant to evoke Abraham Zapruder's footage of John F. Kennedy's assassination. As Clyde Barrow (Warren Beatty) goes to the ground in slow-motion, a fragment of his skull is dislodged by a bullet hit, a similar head shot captured by Zapruder's footage of the JFK assassination.
The infamous climactic shoot-out was filmed with four different cameras, all running at different speeds. The scene itself lasts 54 seconds.
Co-writer Robert Benton got the idea for his script from his father who had actually attended the separate funerals of Parker and Barrow.

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