After retirement, Professor James Anders presents criminal Mark Milford an elaborate plan to rob a diamond company in Brazil with a crew of professionals. The men assemble in Rio de Janeiro... See full summary »
Sir George McDowell notando la rassomiglianza della nipote Monique con un'impiegata della sua banca, ha un'idea strabiliante: trovare i sosia di alcuni impiegati della banca e, dopo aver ... See full summary »
Edward G. Robinson,
Maria Grazia Buccella
To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.
Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains ... See full summary »
Small time crook Napoleone falls into an unlikely gang made up of a gangster, called The Baron, and his two cohorts, Agonia and The Captain, where Napoleone takes them to Rome where they ... See full summary »
This dreary Cold War adventure with tongue-in-cheek results in a misfire, despite interesting credentials: novel author James Hadley Chase (I hadn't quite realized just how many of his work has been adapted for the screen, particularly from the 50s through the 70s, albeit mostly French-made programmers such as this one), screenwriter Marc Behm (The Beatles' HELP! ), director Gessner (THE LITTLE GIRL WHO LIVES DOWN THE LANE ), composer Francois de Roubaix (LE SAMOURAI , DAUGHTERS OF DARKNESS ), cast (a couple of lovely Godard alumni Mireille Darc and Giorgia Moll, Bunuel regular Claudio Brook here making an unsuitable leading man and, of course, Edward G. Robinson who's wasted). While occasionally sexy and featuring colorful locations, it's neither very thrilling nor very funny though being, mercifully, short enough to be palatable.
The only other film of Gessner's that I've watched is the similarly international though superior 12+1 (1969) based on the same source material as Mel Brooks' THE TWELVE CHAIRS (1970) and for which an equally eclectic cast had been assembled, including Sharon Tate (in her last role) and Orson Welles.
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