5.1/10
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The Blonde from Peking (1967)

La blonde de Pékin (original title)
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Cast

Cast overview, first billed only:
Claudio Brook ...
Marc Garland
...
Christine Olsen
...
Erica Olsen
Jean-Jacques Delbo ...
Monsieur Olsen
...
Douglas - chef C.I.A.
...
Infirmière Peggy (as Georgia Moll)
Pascale Roberts ...
Monica Davis
Yves Elliot ...
Jackson
Carl Studer ...
Capitaine Hardy
Hellmut Lange ...
Malik
Werner Schwier ...
Smernoff
Anne-Marie Blanc ...
Merna
Mario Hindermann ...
Kordak
Evelyne Greter ...
Elsa
...
Fang Ho Kung (as Inkijinoff)
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Storyline

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Details

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Release Date:

25 August 1967 (Italy)  »

Also Known As:

The Blonde from Peking  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex)

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Italian censorship visa # 49702 delivered on 12-8-1967. See more »

Soundtracks

Malik
Written and Performed by François de Roubaix And Orchestra
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User Reviews

 
PEKING BLONDE (Nicolas Gessner, 1967) **
8 March 2007 | by (Naxxar, Malta) – See all my reviews

This dreary Cold War adventure with tongue-in-cheek results in a misfire, despite interesting credentials: novel author James Hadley Chase (I hadn't quite realized just how many of his work has been adapted for the screen, particularly from the 50s through the 70s, albeit mostly French-made programmers…such as this one), screenwriter Marc Behm (The Beatles' HELP! [1965]), director Gessner (THE LITTLE GIRL WHO LIVES DOWN THE LANE [1976]), composer Francois de Roubaix (LE SAMOURAI [1967], DAUGHTERS OF DARKNESS [1971]), cast (a couple of lovely Godard alumni – Mireille Darc and Giorgia Moll, Bunuel regular Claudio Brook – here making an unsuitable leading man – and, of course, Edward G. Robinson – who's wasted). While occasionally sexy and featuring colorful locations, it's neither very thrilling nor very funny – though being, mercifully, short enough to be palatable.

The only other film of Gessner's that I've watched is the similarly international though superior 12+1 (1969) – based on the same source material as Mel Brooks' THE TWELVE CHAIRS (1970) and for which an equally eclectic cast had been assembled, including Sharon Tate (in her last role) and Orson Welles.


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