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The Taming of the Shrew (1967)

Approved  |   |  Comedy, Drama, Romance  |  8 March 1967 (USA)
7.2
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Ratings: 7.2/10 from 4,809 users  
Reviews: 58 user | 12 critic

Brutish, fortune-hunting scoundrel Petruchio tames his wealthy shrewish wife, Katharina.

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Title: The Taming of the Shrew (1967)

The Taming of the Shrew (1967) on IMDb 7.2/10

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Nominated for 2 Oscars. Another 7 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
...
...
Alfred Lynch ...
Alan Webb ...
Giancarlo Cobelli ...
The Priest
...
Ken Parry ...
Anthony Gardner ...
Natasha Pyne ...
...
...
Roy Holder ...
Mark Dignam ...
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Storyline

Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio's costs as he pursues Katharina. Written by alfiehitchie

Plot Summary | Plot Synopsis

Plot Keywords:

merchant | love | suitor | shrew | tutor | See All (41) »

Taglines:

A motion picture for every man who ever gave the back of his hand to this beloved... and for every woman who deserved it. Which takes a lot of people! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

|

Language:

Release Date:

8 March 1967 (USA)  »

Also Known As:

William Shakespeare's The Taming of the Shrew  »

Box Office

Budget:

$4,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(1973 UK re-release)| (Westrex Recording System)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Elizabeth Taylor and Richard Burton co-produced the film, putting $1 million of their own money into the production and waiving their combined $2 million+ salaries taking a percentage of the film's profits instead. See more »

Goofs

When Petruchio arrives on a horse for his wedding, a security guard dressed in black is seen in the background. See more »

Quotes

Baptista: [Petruchio is chasing Katherina across a tiled rooftop] Signior Petruchio?
[Petruchio stops with one foot in the air and laughs]
Baptista: How speed you with your wooing?
Petruchio: How but well, sir, how but well? It were impossible I should speed amiss!
See more »

Crazy Credits

Instead of the screen credit "The End" appearing at the end of the film, the line "God give you goodnight" appears, after which the rest of the closing credits are seen. See more »

Connections

Version of O Cravo e a Rosa (2000) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Colorful and comic - Taylor and Burton are well matched.
4 January 2004 | by (New York, NY) – See all my reviews

There is no denying Franco Zeffirelli's visual sensibility, nor his dramatic strength. He takes this Shakespearean comedy, chops and cuts and edits the text to his liking, and regurgitates a wonderful film. If one were to watch the film without sound, it would still be entertaining, that is how well Zeffirelli put it together. But it wouldn't be enough without a terrific Kate, and Elizabeth Taylor, certainly in her prime in 1967, more than fills the bill. She hams it up when hamming is appropriate to the moment, and plays it with more subtlety when that is required. She is well matched by Richard Burton as Petruchio. He is good, but there is something not quite there. I think perhaps he seems more jaded and a tad less calculating than I'd expect in the role. I think I prefer the more caustic performance of John Cleese in this role.

I can't help but wonder what Zeffirelli would've done with an operatic version of this play.


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