Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
In sixteenth century Padua, Hortensio loves Bianca, the youngest daughter of Baptista. But Baptista will not allow the two to get married until his eldest daughter, the extremely headstrong... See full summary »
Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a ... See full summary »
Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio's costs as he pursues Katharina. Written by
Before playing Katherina, Elizabeth Taylor had never performed Shakespeare (unlike Richard Burton, who was an experienced Shakesperian and already played roles such as Hamlet, Iago, Edgar, Hotspur and Romeo on stage), and she was said to be very nervous prior to the beginning of the shot. As she found her way into the role, and became more confident, she asked director Franco Zeffirelli if she could shoot everything from the first day of shooting again, as she didn't think her performance was up to scratch. Zefferilli assured her it was, but she was persistent, and on the last day of principal photography, the entire first day was shot again. See more »
When Petruchio arrives on a horse for his wedding, a security guard dressed in black is seen in the background. See more »
I knew you at the first. You were a moveable!
Why, what's a moveable?
A stool like this!
[she kicks out the stool he was sitting on, and he falls on the floor]
Then sit on me!
[he pulls her down on his lap]
[hitting at Petruchio]
Our asses are made to bear and so are you!
Women are made to bear and so are you!
Not such a load as yours if me you mean!
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Instead of the screen credit "The End" appearing at the end of the film, the line "God give you goodnight" appears, after which the rest of the closing credits are seen. See more »
Liz and Dick, you gotta love them in this...somehow you feel you may be getting more insight into their personal life than intended. One of the great things about this film is that it's made Shakespeare accessible to many more folks who might not have even bothered otherwise. Zefferili does for Shakespeare what Emeril does for cuisine--makes it entertaining while keeping all the quality. And what a fun production--great costumes, a young Michael York, lots of sexy repartee. A good choice for a snowy night when you'd rather stay in. It keeps you pretty entertained throughout, simplifies some of the plot intricacies. One drawback is that Miss Taylor appears to be a little long in the tooth to be playing a young, never-married, girl.
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