Based on Shakesphere's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
In sixteenth century Padua, Hortensio loves Bianca, the youngest daughter of Baptista. But Baptista will not allow the two to get married until his eldest daughter, the extremely headstrong... See full summary »
Catania, Sicilia 1854. A serious epidemic of cholera is hitting the region. Maria a 16 years old novice leaves her convent and returns her home to avoid contamination. Here she finds a ... See full summary »
Baptista, a rich Paduan merchant, announces that his fair young daughter, Bianca, will remain unwed until her older sister, Katharina, a hellish shrew, has wed. Lucentio, a student and the son of a wealthy Pisan merchant, has fallen in love with Bianca. He poses as a tutor of music and poetry to gain entrance to the Baptista household and to be near Bianca. Meanwhile, Petruchio, a fortune-hunting scoundrel from Verona, arrives in Padua, hoping to capture a wealthy wife. Hortensio, another suitor of Bianca, directs Petruchio's attention to Katharina. When Hortensio warns him about Katharina's scolding tongue and fiery temper, Petruchio is challenged and resolves to capture her love. Hortensio and another suitor of Bianca, Gremio, agree to cover Petruchio's costs as he pursues Katharina. Written by
In the film, Katharina's angry line to Bianca "[tell] whom thou lovest best" (which Shakespeare actually wrote and which is grammatically correct) is changed to the grammatically incorrect "whom thou dost lovest best". In his review of the film, critic John Simon caught the error. See more »
[she gives him a look; he draws back]
Katarina, wilt thou take Petruchio to be thy lawful wedded husband?
[she throws back her veil, gives a huge smile that turns into a huge angry look]
[Petruchio kisses her passionately before she can say, "Not!" and the crowd cheers]
See more »
Instead of the screen credit "The End" appearing at the end of the film, the line "God give you goodnight" appears, after which the rest of the closing credits are seen. See more »
This is Burton and Taylor's best film together. It is full of color and fun, and some very fine comedy. All of the actors are brilliant in it. It's a big, romping chase of a movie, and when you hear Petruchio's deep chuckle, it makes you laugh, too.
It's based on the bare bones of Shakespeare's play about Baptista, a rich man with two unmarried daughters. The older daughter is so nasty that no one can stand her long enough to marry her, and everyone in town wants to marry the younger daughter but can't till the older is married off. A bad-mannered fortune hunter shows up and agrees to take the older daughter off the father's hands for a steep price. After the marriage, Petruchio sets about breaking the pride of Kate, and eventually he wears her down, but she works her own magic on him, and in the end they both find that they love each other.
Richard Burton should have won the Oscar for this role; he IS Petruchio. It's a national disgrace that he didn't get it. And Liz is really good as Kate. She makes us believe that she is a horrible shrew, and when her soft side emerges she makes us believe that she could have been sweet all along.
If you can find this film at all, try to watch it in it's letterbox version. You miss far too much of the action in the pan and scan format. It's shown on cable quite a bit, but mostly on the pay channels.
39 of 45 people found this review helpful.
Was this review helpful to you?