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Belle de Jour (1967)
"Belle de jour" (original title)

Approved  |   |  Drama  |  10 April 1968 (USA)
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Ratings: 7.8/10 from 27,024 users  
Reviews: 109 user | 122 critic

A frigid young housewife decides to spend her midweek afternoons as a prostitute.


(as Luis Bunuel)


(novel) (as Joseph Kessel de l'Académie Française) , (adaptation) (as Luis Bunuel) , 1 more credit »
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Title: Belle de Jour (1967)

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Nominated for 1 BAFTA Film Award. Another 5 wins & 2 nominations. See more awards »



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Cast overview, first billed only:
Jean Sorel ...
Pierre Clémenti ...
Françoise Fabian ...
Macha Méril ...
Muni ...
Maria Latour ...
Claude Cerval
Michel Charrel ...
Iska Khan ...
Asian client
Bernard Musson ...
Marcel Charvey ...
Prof. Henri
François Maistre ...


Severine is a beautiful young woman married to a doctor. She loves her husband dearly, but cannot bring herself to be physically intimate with him. She indulges instead in vivid, kinky, erotic fantasies to entertain her sexual desires. Eventually she becomes a prostitute, working in a brothel in the afternoons while remaining chaste in her marriage. Written by James Meek <>

Plot Summary | Plot Synopsis


Luis Bunuel's Masterpiece of Erotica!




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Parents Guide:






| |

Release Date:

10 April 1968 (USA)  »

Also Known As:

Belle de Jour  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.66 : 1
See  »

Did You Know?


Luis Buñuel shot the opening sequence outdoors near a country estate. It was during the very first day of shooting this opening sequence that Buñuel heard about some complaints from his actors. "An assistant came over to tell me the actors wanted to talk to me," said Buñuel. It concerned the syrupy dialogue between Pierre and his bride Séverine before the violent sexual attack. "Sorel had crossed out his lines and had written 'his' dialogue over them," Buñuel continued. "'What have you done?' I asked him. Very politely, he said, 'Excuse me, sir, doesn't this seem ridiculous to you?' 'Yes,' I told him, 'but don't you know what happens afterwards? After this banal dialogue, you begin to beat her with a whip, to drag her through the mud. Just deliver it as it is written.' And that's how he said it." See more »


When the client that wants to be spanked rejects Belle Du Jour she puts her robe back on but not her bra. Then when she sees the Asian client a few moments later, she takes off her robe and her bra is on. See more »


Séverine Serizy: Pierre, please, don't let the cats out.
See more »


Referenced in 8 Women (2002) See more »

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User Reviews

Unique, Strange, and Memorable
6 May 2005 | by (Biloxi, Mississippi) – See all my reviews

The premise of BELLE DU JOUR is well known. A young, beautiful, and slightly frigid doctor's wife (Catherine Deneuve) secretly harbors fantasies of being dominated, humiliated, and abused by her husband (Jean Sorel.) When these fantasies can no longer be denied, she becomes a prostitute under the sponsorship of a possibly lesbian madam (Geneviève Page), working during the afternoons while her husband is at his own work. Her sexuality is awakened by the sometimes brutish clients, who soon discover that "she likes it rough," and she is ultimately caught up a relationship with a truly dangerous client (Pierre Clémenti) whose possessiveness threatens to destroy both her and her husband.

Throughout the film Deneuve slips in and out of memory and fantasy, sometimes recalling herself as a possibly molested child, sometimes imagining herself as the victim in a series of sexual assault fantasies. Director Bunuel, whose masterpiece this is, so blurs the line between memory, reality, and fantasy that by the film's conclusion one cannot be sure if some, most, or everything about the film has been Deneuve's fantasy.

Although it includes a number of impressive performances (particularly by Geneviève Page, her girls, and their clients), BELLE is essentially Deneuve's film from start to finish, and she gives an astonishing performance that cannot be easily described. Like the film itself, it is a balancing act between fantasy and a plausible reality that may actually be nothing of the kind. Bunuel presents both her and the film as a whole in an almost clinical manner, and is less interested in gaining our sympathy for the character than in presenting her as an object for intellectual observation.

Ultimately, BELLE DU JOUR seems to be about a lot of things, some of them obvious and some of them extremely subtle. And yet, given the way in which it undercuts its realities by blurring them with fantasy, it is also entirely possible that the film is not actually "about" anything except itself. Individuals who insist on clear-cut meanings and neatly wrapped conclusions will probably loathe it--but those prepared to accept the film on its own terms will find it a fascinating experience. Recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer

46 of 58 people found this review helpful.  Was this review helpful to you?

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