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Beach Red (1967)

 -  Drama | War  -  18 November 1967 (Japan)
6.4
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Ratings: 6.4/10 from 892 users  
Reviews: 39 user | 22 critic

As a US marine unit fight against the defenders of a Japanese held island, both sides are haunted by their own thoughts and memories.

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Title: Beach Red (1967)

Beach Red (1967) on IMDb 6.4/10

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Nominated for 1 Oscar. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Capt. MacDonald / Narrator
...
Sergeant Honeywell
Burr DeBenning ...
Egan
Patrick Wolfe ...
Cliff
...
Julie
Jaime Sánchez ...
Colombo (as Jaime Sanchez)
Dale Ishimoto ...
Captain Tanaka
Genki Koyama ...
Colonel Sugiyama
Gene Blakely ...
Goldberg (Combat Cameraman)
Michael Parsons ...
Sergeant Lindstrom
Norman Pak ...
Nakano
Dewey Stringer ...
Mouse
...
Lieutenant Domingo
Hiroshi Kiyama ...
Mishio
Michio Hazama ...
Captain Kondo
Edit

Storyline

American Marines storm ashore on a Japanese-held island and push inland while their enemy plans a counterattack, in this look at warfare. Fighting men on both sides are haunted by memories of home and the horrifying, sickening images they experience in combat. Written by Martin H. Booda <booda@datasync.com>

Plot Summary | Add Synopsis

Taglines:

It waves no flags and beats no drums. It just pulls the pin on a grenade and throws it - Catch! See more »

Genres:

Drama | War

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

18 November 1967 (Japan)  »

Also Known As:

Playa roja  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(archive footage)|

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Several characters are shown carrying M1 carbines incorrectly fitted with bayonets. When the M1 carbine was introduced in WW2 it was intended to serve as a small, light rifle for rear area and support troops whose duties didn't require them to carry a full-sized battle rifle (usually the longer and heavier Garand). Consequently, they were not equipped with a barrel lug necessary for mounting a bayonet. A version of the M1 carbine capable of mounting a bayonet wasn't introduced until the Korean War. See more »

Goofs

Some of the flashback scenes, in particular those featuring Captain MacDonald's wife, Julie, are unrealistic in their depiction of the time period intended - namely early to mid-1940's. In particular, she is seen wearing her hair and mascara in a style that is clearly not of the mid-1940's, and in one scene, is shown wearing a blouse that is clearly of a mid-1960's design. See more »

Connections

Referenced in Conker: Live and Reloaded (2004) See more »

Soundtracks

Title Song
Sung by Jean Wallace
Written by Cornel Wilde (as Elbey Vid)
See more »

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User Reviews

There are 100 'Ryans', but only one of these.
11 June 1999 | by (Plymouth, England) – See all my reviews

This is a strange, moving and beautiful film. It bears a great ressemblance to the 98 Thin Red Line,( down to the colour of the tall grass and racial/social background of the officer )and yet they're both from novels by different authors. This is presumably a tribute by Malick.

What puts this film in very select company is its attitude to its subject. By its elegant use of stills, flashbacks, repetition and multiple voice-over it shatters the lie of the boys-own adventure and invites us to consider the combat as part of life. If in our experience of life someone takes to slaughtering someone else, it gives us pause for thought.

Accordingly, the usual overheated so-called 'dramatic' plot where everything is subjugated to the 'who wins?' question is replaced here by something subtler, reflective, one side certainly wins, but this occupies our thoughts little compared to feelings about what these men are engaged in.

I'd love to know the tradition this film springs from, it's not a a satire like 'Dr Strangelove'and it doesn't have the psychological portrait of 'Full Metal Jacket' thought it does have echoes in the later half of that film. The immediacy of the combat scenes is like the end section of 'On The Fiddle' with Sean Connery.

Beach Red looks with a rare, cool gaze at the war, this allows us to feel the emotion that is there. What a shame that Spielberg is too frightened to pay us that respect, instead the crass manipulation of fodder such as 'Ryan' stiffles the expression of any thought or feeling.

So it's great that they made Beach Red (and The Thin Red Line ) so that we can see there's more to the world!


23 of 32 people found this review helpful.  Was this review helpful to you?

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