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Accident (1967)

 -  Drama | Crime  -  7 June 1967 (France)
7.1
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Ratings: 7.1/10 from 1,854 users  
Reviews: 27 user | 27 critic

Stephen is a married Oxford professor experiencing the pangs of a mid-life crisis as he begins to bristle at the stifling emotional repression of the society in which he lives. Things begin... See full summary »

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Title: Accident (1967)

Accident (1967) on IMDb 7.1/10

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Nominated for 1 Golden Globe. Another 5 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Stephen
...
Charley
Jacqueline Sassard ...
Anna
...
William
Vivien Merchant ...
Rosalind
...
Francesca
...
Provost
Ann Firbank ...
Laura
Brian Phelan ...
Police Sergeant
Terence Rigby ...
Plain Clothed Policeman
...
Man in Bell's Office
Jill Johnson ...
Secretary
Jane Hillary ...
Receptionist
...
Ted (as Maxwell Findlater)
Carole Caplin ...
Clarissa
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Storyline

Stephen is a married Oxford professor experiencing the pangs of a mid-life crisis as he begins to bristle at the stifling emotional repression of the society in which he lives. Things begin to change for him when he meets Anna, a beautiful student who is engaged to William, another of Stephen's students. Though he begins to feel alive again in her presence, Stephen's feelings for Anna can only end in tragedy for them and those around them. Written by Jean-Marc Rocher <rocher@fiberbit.net>

Plot Summary | Add Synopsis

Genres:

Drama | Crime

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Details

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Release Date:

7 June 1967 (France)  »

Also Known As:

Accident - Zwischenfall in Oxford  »

Filming Locations:

 »

Box Office

Budget:

$600,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alexander Knox was second choice for the cameo of The Provost. See more »

Quotes

Charley: [reading from learned journal] A statistical analysis of sexual intercourse at Colenso University, Milwaukee showed... that 70% did it in the evening, 29.9% between 2 and 4 in the afternoon and 0.1% during a lecture on Aristotle.
Aged Professor: I'm surprised to hear that Aristotle is on the syllabus in the State of Wisconsin.
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Connections

References The Rules of the Game (1939) See more »

Frequently Asked Questions

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User Reviews

 
A masterpiece
21 July 2014 | by (Derry, Ireland) – See all my reviews

"Accident" was a somewhat ripe little novel by Nicholas Mosley about the sex lives of dons, (of the Oxbridge type rather than the Juan or Giovanni kind). It was a good book but hardly memorable. The film that Joseph Losey made of it, however, was a different kettle of rancid fish altogether. Harold Pinter wrote the script and it's a brilliant piece of work, as acerbic, as nasty and, by God, as intelligent as any of his celebrated theatre work and Losey's direction is pitch-perfect. Perhaps no writer and director were ever quite as in simpatico as Pinter and Losey. The film is told in flashback. It opens stunningly with the accident of the title that introduces us to three of the central characters; the driver of the car, the young woman with him and the don who finds them. The driver is a young Michael York, the girl is Jacqueline Sassard and the don is Dirk Bogarde, magnificent here in a performance as fine as his work in "The Servant" or "Death in Venice". The film then jumps back in time as we meet the other characters caught up in the sexual shenanigans; Stanley Baker as another don, raffish and full of bluster where Bogarde is introverted and ineffectual and Vivien Merchant as Bogarde's pregnant wife. They, too, are superb but then everyone, no matter how small their part, is superb; everyone is there for a reason. Primarily this is a film about sexual tension and unfulfilled desires, about petty jealousies and how all this sublimated sexual longing can lead to disaster. It is a film made up of long, virtuoso passages; a drunken Sunday lunch that turns into a drunken evening of recrimination and which brings all the main characters together, Bogarde's visit to an old flame, (Delphine Seyrig), a cricket match and, of course, the crash itself and it's aftermath which is, naturally, sexual. This is great film-making, quite rare in British cinema. Paradoxically the film is among the most English and, at the same time, among the least English of pictures. Superbly photographed, too, by Gerry Fisher and with another great Johnny Dankworth score this is a masterpiece.


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