A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.
Gian Maria Volontè,
Total, a young bank cashier, has been wondering for some time if his life, with its grey, dismal prospect, is worth living. He is aware of the illicit careers and rise to riches of many of ... See full summary »
Enrico Mattei helped change Italy's future, first as freedom-fighter against the Nazis, then as an investor in methane gas through a public company, A.G.I.P., and ultimately as the head of ... See full summary »
Gian Maria Volontè,
Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear ... See full summary »
Vito De Taranto
Sicilia, late '60s. Two men are killed during a hunting party. The hurried inquiry indicates that it was a killing made for 'honor' reasons. Paolo Laurana is a leftist professor not convinced of the official truth and starts investigating by himself. He finds some help from a solicitor, Mr. Rosello. While investigating, he is fascinated by Luisa, the widow of one of the victims. But the reality is too different from what Laurana could imagine. Reality includes not only the mafia and corrupt politicians, but also Church connections. The reality is that there could be only one end for Laurana. It won't take long. Written by
Paolo Laurana is a kind of leftist intellectual who chances to be intrigued by a mysterious double murder in the Sicily of mid Sixties. In his personal detection for murder's instigators, he will run into a plot in which both politicians and mafia racketeers are involved. So curiosity will become a very dangerous affair. Taken from a novel by Leonardo Sciascia (1921-1989), A ciascuno il suo (1967) is a film where high rank acting is at its top. Cast (Gianmaria Volonté, Irene Papas, Gabriele Ferzetti, Salvo Randone, Luigi Pistilli. Mario Scaccia, Leopoldo Trieste) is perfect and well-combined, direction (Elio Petri, 1929-1982) is powerful and impressive. If compared to the novel, Elio Petri's film (written with Ugo Pirro) may seem short of that illuministic pessimism that breathes through Sciascia's books, but Laurana's rationalistic search for truth retains that `bitter taste of intelligence' which is one of the major feature of Sciascia's characters. A key film to understand historical condition of Italy in the Sixties.
11 of 12 people found this review helpful.
Was this review helpful to you?