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We Still Kill the Old Way (1967)

A ciascuno il suo (original title)
A leftist professor wants the truth about two men killed during a hunting party; but the mafia, the Church and corrupt politicians don't want him to learn it.

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(novel), (screenplay) | 1 more credit »
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6 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Prof. Paolo Laurana
...
Luisa Roscio
...
Avvocato Rosello
Laura Nucci ...
Madre di Roscio
Mario Scaccia ...
Prete
...
Arturo Manno
Leopoldo Trieste ...
Deputato Comunista
Giovanni Pallavicino ...
Raganà
Tanina Zappalà
Luciana Scalise ...
Rosina
Orio Cannarozzo ...
La Marca
Anna Rivero ...
Signora Manno
Michele Jannucci
Franco Tranchina ...
Dr. Antonio Roscio
Carlo Ferro
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Storyline

Sicilia, late '60s. Two men are killed during a hunting party. The hurried inquiry indicates that it was a killing made for 'honor' reasons. Paolo Laurana is a leftist professor not convinced of the official truth and starts investigating by himself. He finds some help from a solicitor, Mr. Rosello. While investigating, he is fascinated by Luisa, the widow of one of the victims. But the reality is too different from what Laurana could imagine. Reality includes not only the mafia and corrupt politicians, but also Church connections. The reality is that there could be only one end for Laurana. It won't take long. Written by 1felco

Plot Summary | Add Synopsis

Taglines:

Sicily is a small island. Some people live there. Some people love there. Some people die there.

Genres:

Crime | Drama

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Release Date:

28 February 1968 (USA)  »

Also Known As:

We Still Kill the Old Way  »

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Did You Know?

Connections

Edited into Lo schermo a tre punte (1995) See more »

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User Reviews

The more you know, the more you are in danger.
10 May 2002 | by (Fiesole, Italia) – See all my reviews

Paolo Laurana is a kind of leftist intellectual who chances to be intrigued by a mysterious double murder in the Sicily of mid Sixties. In his personal detection for murder's instigators, he will run into a plot in which both politicians and mafia racketeers are involved. So curiosity will become a very dangerous affair. Taken from a novel by Leonardo Sciascia (1921-1989), A ciascuno il suo (1967) is a film where high rank acting is at its top. Cast (Gianmaria Volonté, Irene Papas, Gabriele Ferzetti, Salvo Randone, Luigi Pistilli. Mario Scaccia, Leopoldo Trieste) is perfect and well-combined, direction (Elio Petri, 1929-1982) is powerful and impressive. If compared to the novel, Elio Petri's film (written with Ugo Pirro) may seem short of that illuministic pessimism that breathes through Sciascia's books, but Laurana's rationalistic search for truth retains that `bitter taste of intelligence' which is one of the major feature of Sciascia's characters. A key film to understand historical condition of Italy in the Sixties.


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