Spider-Man (1967–1970)

TV Series  -   -  Animation | Adventure | Family
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A teenage boy with the powers of a spider fights crime as the Webslinging Wonder.

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Title: Spider-Man (1967–1970)

Spider-Man (1967–1970) on IMDb 7.5/10

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1970   1969   1968   1967  

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Cast

Series cast summary:
Paul Kligman ...
 J. Jonah Jameson / ... (52 episodes, 1967-1970)
Paul Soles ...
 Spider-Man / ... (52 episodes, 1967-1970)
Peg Dixon ...
 Betty Brant / ... (52 episodes, 1967-1970)
Bernard Cowan ...
 Police officer / ... (51 episodes, 1967-1970)
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Storyline

Student Peter Parker is bitten by a spider while witnessing an experiment in radiology and finds that the radiation has transferred the properties of the spider (ability to scale walls and swing on webs) to him with a strength proportional to his body. Peter now has super spider powers and is so preoccupied with their possibilities that he fails to help the police stop a thief, who later robs the house of Peter's guardians, Aunt May and Uncle Ben, and kills Ben. Furious, Peter tracks down the culprit at a warehouse, and, on seeing the man's face, Peter realizes that if he had acted earlier to help stop the crook, Ben would be alive now. So, Peter vows to use his new powers to fight crime, as the super-heroic Spider-Man. Written by Kevin McCorry <mmccorry@nb.sympatico.ca>

Plot Summary | Add Synopsis

Plot Keywords:

spider | web | hero | villain | television | See more »


Certificate:

TV-Y7 | See all certifications »
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Details

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Release Date:

9 September 1967 (USA)  »

Also Known As:

Spiderman  »

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Did You Know?

Trivia

Two episodes of the series ("Phantom from the Depths of Time" and "Revolt in the Fifth Dimension") heavily recycle animation from episodes "From Menace to Menace" and "Dimentia Five" of the earlier series Rocket Robin Hood (1966) by simply substituting Spider-Man for Rocket Robin Hood on the animated cels. See more »

Goofs

In "The Origin of Spider-Man," one of the bikers calls Peter a "four-eyed fouler" even though he does not wear glasses throughout the entire series. See more »

Quotes

Radiation Specialist: [the Specialist has discovered Spidey standing outside the reactor's dome] He's here. And now...
[hits the external power override]
Spider-Man: [standing outside the reactor's dome] Something's going on - my Spider-sense is tingling! I don't like this!
[reappears inside the dome]
Radiation Specialist: [turns around to face Spidey, who is clinging to the dome] Welcome, Spider-Man!
See more »

Connections

Referenced in Atop the Fourth Wall: Amazing Fantasy #15 (2010) See more »

Soundtracks

Spider-Man
Opening and Closing Theme Song
Words by Paul Francis Webster
Music by Bob Harris
Music by Stu Phillips
Music by and D. Kapross
Published by Buddah Music, Inc.
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Best Super Hero Cartoon
15 February 2003 | by (Salt Lake City, Utah) – See all my reviews

I watched this series when I was a kid, not in the late 60's, but in 1984, the last year it aired on regular television. Luckily, that year my parents bought our first VCR and I managed to get some of the episodes on tape. I still have some of these tapes today (mixed with Gilligan's Island and other junk).

There were three series. The first was good. But the best were the 2nd and 3rd series with a different animation team including the great Ralph Bakshi who went on to make animated movies like Lord of the Rings (1979), Fire & Ice, and American Pop.

When one sees these Spiderman cartoons today, they might comment on the crudity of the animation. For example, Spiderman's costume is unfinished, he is refilmed swinging through the air over and over again in the same pose, sometimes he stands on the edge of a building with one foot in the air and is always swinging across town far above the tops of buildings.

But these and other things don't take away from how good I think the animation is. First of all, even though all of Spidey's movements are the same shots reused a hundred times, at least they're smooth. In action cartoons today the characters are very jerky and awkward and have no real feeling of action. Though the colors are old and dull, the backgrounds are the most interesting and unique that you'll ever see in any cartoon (including full length feature films; espiecially Disney). Also, animation in super-hero cartoons today is too elastic-like. The heros manage to stretch and twist there way in and out of everything. The old Spiderman cartoons looked and felt more like the comic (maybe not like Todd McFarlane's).

But the artwork isn't the only thing that makes this series cool. The music is better than any other cartoon before or since. Besides the unforgettable theme song, each scene of each episode is accompanied by a jazzy rock n, roll tune or an orchestral piece (some of it existing classical). I watch them for the music as much as the cartoon itself. You will never here a score like it or anything else as memorable in a cartoon again.

These old Spidermans are also written in the traditional style of story telling that's hard to find these days. The drama builds to the action sequences making it more exciting, where as action cartoons today just punch their way through every scene making it very boring.

Perhaps it's sheer nostalgia. But I wish there were more cartoons like this one.


5 of 7 people found this review helpful.  Was this review helpful to you?

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