After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
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"The Prisoner" is a unique piece of television. It addresses issues such as personal identity and freedom, democracy, education, scientific progress, art and technology, while still remaining an entertaining drama series. Over seventeen episodes we witness a war of attrition between the faceless forces behind 'The Village' (a Kafkaesque community somewhere between Butlins and Alcatraz) and its most strong willed inmate, No. 6. who struggles ceaselessly to assert his individuality while plotting to escape from his captors. Written by
Stuart Berwick <email@example.com>
The Supervisor/No 28 (Peter Swanwick), who appears more often than anyone apart from No 6 and the Butler, is never seen outside, and is mostly seen in the control room and (very occasionally) in the Green Dome. See more »
During the intro sequence, when No 6 is getting out of his car, a trapped hair can be seen in the bottom left of the shot. See more »
The closing credits of all but one episode end with footage of "Rover" (the big white balloon) emerging from the sea. The final episode, "Fall Out," omits this footage. The credits of the "alternate" version of "Chimes of Big Ben" don't use this footage either; instead, they end with a crudely animated earth exploding as the word POP fills the screen. See more »
Geez I just did another Imdb review listing some of the top ten tv shows of all time (in my opinion) and I plum forgot this one. It qualifies. 18 hourly episodes about attempts to pry information from taciturn retired spy McGoohan, kidnapped and held in an isolated village peopled by, well, we're not sure who else. There's maybe one bad episode in the whole lot; many shows have you wondering who are the captors and who are the captives among the village's inhabitants. Not sure it's explicitly stated but McGoohan's character could be a carryover from his Secret Agent Man, an earlier series also starring him. McGoohan is exquisitely perfect in the role, a bit eccentric, sometimes almost precious, athletic when necessary, crisply precise and (understandably) paranoid. Occasionally things go over the top, particularly in the final two episodes, but you certainly can't accuse them of playing it safe. Unique, inspired, insightful, distinctive, unparalleled.
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