After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.
Three years after the original "Danger Man" series concluded, it was revamped and continued in a longer format. (1 hour/episode instead of 30 minutes). John Drake was now a Special Security... See full summary »
John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
Bruce Greenwood stars as documentary photographer Thomas Veil who, in the course of one evening, seemingly has his whole existence erased, in the compelling one-hour drama Nowhere Man. It ... See full summary »
Marvin LaRoy Sanders
"The Prisoner" is a unique piece of television. It addresses issues such as personal identity and freedom, democracy, education, scientific progress, art and technology, while still remaining an entertaining drama series. Over seventeen episodes we witness a war of attrition between the faceless forces behind 'The Village' (a Kafkaesque community somewhere between Butlins and Alcatraz) and its most strong willed inmate, No. 6. who struggles ceaselessly to assert his individuality while plotting to escape from his captors. Written by
Stuart Berwick <firstname.lastname@example.org>
"Rover", the menacing white balloon that acts as a surreal sentry in The Village, was supposed to have been a large robotic machine. During the filming of the first episode, it was supposed to travel across water on a pair of rails hidden under the surface. The machine fell off the rails and into the water, damaging the motors inside. Just then, a weather balloon passed by, and Patrick McGoohan came upon the idea of "Rover" being a large white balloon that traveled by itself. The reason the cast stands still as Rover wanders past is because the balloon is being pulled by a wire. The shots were then run backwards, and edited into the film (In one episode, smoke can be seen drifting back into a chimney in the distance as Rover passes by). See more »
When it premiered in the US as a CBS summer series, no less than Isaac Asimov wrote an article in TV Guide praising it. So I was primed. "Arrival" was every bit at interesting as I expected, from the jazzy music and rapid-edited credit sequence all the way to that strange bicycle that assembled itself in the closing credits. The Village was beautiful and charming and hellish, with doors that open for you and mandatory classical music on the radio. McGoohan was perfect--he kept his cool but never wavered from his determination to find out who ran the show.
However, the idiots who ran my local CBS affiliate must have gotten calls from perplexed viewers. Next week, I was all set for episode two... and instead saw some crappy conventional syndicated spy show. Grrr. Since this was before cable, I never saw the rest of the series till PBS ran it.
It's hard to believe that any television network would agree to air something this wild. To this day, I can hear "I am not a number! I am a free man!" followed by maniacal laughter....
I loved the humor, too. One time Number Six had a double. His name--Number Twelve, of course. The whole concept of being labelled "unmutual" was worthy of Douglas Adams's "Share and Enjoy".
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