The Prisoner (1967–1968)

TV Series  |   |  Action, Drama, Mystery
8.7
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Ratings: 8.7/10 from 7,161 users  
Reviews: 95 user | 35 critic

After resigning, a secret agent is abducted and taken to what looks like an idyllic village, but is really a bizarre prison. His warders demand information. He gives them nothing, but only tries to escape.

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Title: The Prisoner (1967–1968)

The Prisoner (1967–1968) on IMDb 8.7/10

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1968   1967  
1 nomination. See more awards »

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Sci-Fi

Feature film based on the 1960s TV series about a government agent who resigns, is kidnapped and placed on an isolated island known as the Village.

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Cast

Complete series cast summary:
...
 Number Six / ... (17 episodes, 1967-1968)
Angelo Muscat ...
 The Butler (14 episodes, 1967-1968)
Peter Swanwick ...
 Supervisor (8 episodes, 1967-1968)
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Storyline

"The Prisoner" is a unique piece of television. It addresses issues such as personal identity and freedom, democracy, education, scientific progress, art and technology, while still remaining an entertaining drama series. Over seventeen episodes we witness a war of attrition between the faceless forces behind 'The Village' (a Kafkaesque community somewhere between Butlins and Alcatraz) and its most strong willed inmate, No. 6. who struggles ceaselessly to assert his individuality while plotting to escape from his captors. Written by Stuart Berwick <berws@essex.ac.uk>

Plot Summary | Add Synopsis

Taglines:

No Man Is Just A Number.


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Release Date:

1 June 1968 (USA)  »

Also Known As:

El prisionero  »

Company Credits

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Technical Specs

Runtime:

(17 episodes)

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Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Ron Grainer's theme music was titled "The Age of Elegance" and according to some sources predates The Prisoner (1967) by several years. However, many sources claim that the theme music is yet another creation of Patrick McGoohan himself. Reportedly, he whistled it into a tape recorder, Grainier transcribed that onto sheet music, did the arrangements and orchestrations and deserves credit for getting the music into good shape. See more »

Goofs

During the intro sequence, when No 6 is getting out of his car, a trapped hair can be seen in the bottom left of the shot. See more »

Quotes

Number Two: I'm the boss.
Number 6: No. One is the boss.
See more »

Crazy Credits

The closing credits of all but one episode end with footage of "Rover" (the big white balloon) emerging from the sea. The final episode, "Fall Out," omits this footage. The credits of the "alternate" version of "Chimes of Big Ben" don't use this footage either; instead, they end with a crudely animated earth exploding as the word POP fills the screen. See more »

Connections

Referenced in The Very Best of 'Have I Got News for You' (2002) See more »

Soundtracks

Main Title Theme
Written by Ron Grainer
Performed by Ron Grainer Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Terrific and unique spy/action/drama satire.
11 January 2007 | by (Serbia) – See all my reviews

The best non-comedic TV show I've ever seen, and certainly one of the most unique TV shows of any genre. A terrific blend of Kafka's drama/satire, fantasy, and spy action/thriller. There is also a healthy dose of humour in it, but nothing over-the-top like we have in today's TV shows. Although it consists of 17 episodes, I would consider the first 12 to be the core of the series. After those 12 we have mostly filler episodes, like the dull one in the Wild West, or the one in which McGoohan barely even appears. The last two episodes, the less-than-grand double-episode finale, are a bit too abstract and quite tiresome at times even. From the last 5 episodes I would only name "The Girl Who Was Death" as being quite good.

The best/most fun episodes are "Arrival", "Dance of the Dead", "ABC", "The General", "A Change Of Mind", and "Hammer Into Anvil". From the first 12, I would only single out "Schizoid Man" as being much weaker than the others.

Several things went into making this show so much fun. First of all, the location, the Welsh village. Secondly, having McGoohan in the lead; I cannot possible imagine any other actor playing Number 6 in the excellent, off-the-wall yet controlled manner in which he plays him. McGoohan hits all the right notes; his performance is just as eccentric as it needs to be. (For the uninitiated, he was among the 2 or 3 main candidates to be the first James Bond, but refused the role.) Thirdly, the highly unusual, original scripts. Fourthly, the series was filmed in the mid-60s, and the visual quality of TV shows from that decade is superior to anything that came before or after. And fifthly, the acting from all the others was on a high level.


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