Roger and Kaye live next door to Eve and Herb. Eve and Herb's daughter Suzie marries Roger and Kaye's son Jerry. This forces the families to be a bit closer than they would prefer, ...
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Eve agrees to be a temp at Herb's office which naturally means Kaye has to help out also. Before long Roger, Jerry, Suzie have all stopped by and have turned the office into utter chaos, potentially ...
Lovely young widow Carolyn Muir, her two young children, and the maid discover that the New England seaside house they've moved into is haunted by the former owner -- an old salt named ... See full summary »
After spending several years in her young adult life in Minneapolis but with her brash Bronx Jewish upbringing in tow and with its associated sarcasm, artistically inclined Rhoda ... See full summary »
Roger and Kaye live next door to Eve and Herb. Eve and Herb's daughter Suzie marries Roger and Kaye's son Jerry. This forces the families to be a bit closer than they would prefer, particularly since Jerry and Suzie live in the garage. Written by
Ed Sutton <email@example.com>
The series was originally envisioned as a vehicle for Eve Arden and Ann Sothern until it was decided the two actresses' comedic styles were too similar and Sothern was replaced by the volcanic Kaye Ballard. See more »
The opening credits sequence of THE MOTHERS-IN-LAW was one of the best ever. The theme song was quite manic, and was accompanied by clips of the actors getting hit with flying objects, splashed with water, and crashing into walls and through floors and ceilings. What's more, the appropriate sound effects for each mishap were dubbed in. The result was one of the most wild opening credits sequences I have ever seen, which emphasized the madcap events in the episodes themselves. All of this is made even more hilariously bizarre (or bizarrely hilarious) by the almost complete absence of memorable opening credits sequences, and memorable theme songs, on television today.
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