Peggy has been dating a black musician named Gabe Johnson. While they are at a jazz club, he and a man in the audience both recognize one another, and Gabe flees, without Peggy and without his prized...
Mannix is on his way to go fishing in the desert when he stops at a roadside diner for gas and a check of his engine. While having a cup of coffee, he discovers that the couple who run the diner are ...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Attorney and US Navy vet Stuart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on... See full summary »
Susan Saint James
Considered one of the most violent television series of its era, "Mannix" followed the adventures of L.A. private eye Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases and shootouts. Written by
Marty McKee <email@example.com>
Star Mike Connors complained that this show was not very good at showing the consequences of violence. He said Joe Mannix would get thrown down a flight of stairs in one scene and then appear without a scratch in the next. See more »
Good detective stories that are still enjoyable today
Very good writing and very good camera work, in both angles and continuity. This show is still viewable by today's standards. Some may appreciate how 'car phones' were the leading edge of technology in the late 1960s and early 1970s when not even fax machines existed. Others may reminisce on the occasional fad fashion statement even while the main characters wore what was considered conservative. Few can ignore how thoughtful the episodes were. Sometimes complex, the well scripted plots often kept the armchair detective puzzled until the very end. It is as though every single object, mannerism, and facial expression had a purpose towards telling the story.
Hard action, yes. Violent, maybe. Graphic blood and guts, no. Realistically, cars didn't flip over other cars and burst into flames at every car chase. Just like everyone experiences similar issues within each respective profession, some plots had similarities but they were so well thought out that they were very different in the end. Consequently, soft and caring moments were interspersed with happiness, sadness, and action. It was a fairly real show with few, if any, stupid scenes; a show where people didn't do superhuman stunts. It contains mystery and some suspense. The theme song is classic. It's a good series that can still be enjoyed today, on reruns, of course.
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