Peggy has been dating a black musician named Gabe Johnson. While they are at a jazz club, he and a man in the audience both recognize one another, and Gabe flees, without Peggy and without his prized...
Mannix is on his way to go fishing in the desert when he stops at a roadside diner for gas and a check of his engine. While having a cup of coffee, he discovers that the couple who run the diner are ...
Charlie Anderson, a former policeman who once saved Joe Mannix's life, hires the detective when his wife has run off. The wife is somebody else Charlie met while a policeman - a one-time prostitute ...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Attorney and US Navy vet Stuart "Mac" McMillan is appointed Commissioner of Police for the city of San Francisco. He often handles the very high profile cases personally. Helping him out on... See full summary »
Susan Saint James
Once a successful corporate lawyer at a prestigious Philadelphia law firm, Jack Shannon lost his marriage and his job, due in part to a compulsive gambling habit. While Shannon maintains a ... See full summary »
Considered one of the most violent television series of its era, "Mannix" followed the adventures of L.A. private eye Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases and shootouts. Written by
Marty McKee <email@example.com>
Mannix was of Armenian descent and spoke fluent Armenian and French. In the opening credits, the screen that says "Mike Connors is" features the colors (red, blue, orange) and shape (3 rectangles) of the Armenian flag. See more »
"Mannix" is my all-time favorite crime drama. Yes, there is a lot of violence (there seems to be an obligatory fight scene in every show, and it's a wonder Joe Mannix lived through eight seasons), but for those of us who don't care about sifting through a slew of clues to figure out whodunit, this is the show to watch. Except for the computer angle of the first season (which Lucille Ball had eliminated because she didn't think the audience related to it), this show is--unlike most detective shows of its era--free of gimmickry; Mannix is not crippled or blind or fat or bald or old or sloppy. He's just a regular guy (and he's Armenian, by the way) who lives by his wits and his fists.
An added plus is Gail Fisher as Mannix's secretary Peggy Fair. True, she gets kidnapped a lot but she's also a lot of help to Mannix and it's also admirable that the show makes no big deal about the fact that she's African-American. She's a secretary, period.
Ward Wood and Robert Reed add extra flavor as Mannix's contacts on the LAPD, Lts. Art Malcolm and Adam Tobias, respectively. Reed, who was doing "The Brady Bunch" at the same time, often said he preferred doing this show to the sitcom.
And never to be forgotten are the split-screen graphics and that great Lalo Schifrin theme song which I find myself humming from time to time.
"Mannix" shows up occasionally on Cloo; I wish they'd show it more often.
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