Mannix is on his way to go fishing in the desert when he stops at a roadside diner for gas and a check of his engine. While having a cup of coffee, he discovers that the couple who run the diner are ...
Peggy has been dating a black musician named Gabe Johnson. While they are at a jazz club, he and a man in the audience both recognize one another, and Gabe flees, without Peggy and without his prized...
Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Considered one of the most violent television series of its era, "Mannix" followed the adventures of L.A. private eye Joe Mannix, who first worked for a detective agency known as Intertect, which relied heavily on computers and a large network of operatives. In the second season, Mannix opened his own agency, with police widow Peggy Fair working for him as his secretary. Each episode featured plenty of fistfights, car chases and shootouts. Written by
Marty McKee <firstname.lastname@example.org>
An episode of the series Diagnosis Murder (1993) called "Hard-Boiled Murder" (episode # 4.17), was actually a sequel to the "Little Girl Lost" (episode # 7.4) episode of this series. Many of the same guest stars appeared in both episodes. See more »
"Mannix" is my all-time favorite crime drama. Yes, there is a lot of violence (there seems to be an obligatory fight scene in every show, and it's a wonder Joe Mannix lived through eight seasons), but for those of us who don't care about sifting through a slew of clues to figure out whodunit, this is the show to watch. Except for the computer angle of the first season (which Lucille Ball had eliminated because she didn't think the audience related to it), this show is--unlike most detective shows of its era--free of gimmickry; Mannix is not crippled or blind or fat or bald or old or sloppy. He's just a regular guy (and he's Armenian, by the way) who lives by his wits and his fists.
An added plus is Gail Fisher as Mannix's secretary Peggy Fair. True, she gets kidnapped a lot but she's also a lot of help to Mannix and it's also admirable that the show makes no big deal about the fact that she's African-American. She's a secretary, period.
Ward Wood and Robert Reed add extra flavor as Mannix's contacts on the LAPD, Lts. Art Malcolm and Adam Tobias, respectively. Reed, who was doing "The Brady Bunch" at the same time, often said he preferred doing this show to the sitcom.
And never to be forgotten are the split-screen graphics and that great Lalo Schifrin theme song which I find myself humming from time to time.
"Mannix" shows up occasionally on Cloo; I wish they'd show it more often.
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