Sam McCloud is a rustic country sheriff from a rural part of the United States. He travels to the big city and joins the police force, using his country ways and laid-back approach to nab the bad guys.
Centers on Robert T. Ironside, a tough, sexy and acerbic police detective relegated to a wheelchair after a shooting who is hardly limited by his disability as he pushes and prods his hand-picked team to solve the most difficult cases.
Citizens of San Francisco are stunned by the news that Robert Ironside, the city's hard-nosed, tough-talking chief of detectives, has been shot and left for dead while vacationing at his ... See full summary »
Chief Ironside has just retired and is looking forward to running his vineyard with his wife. But his retirement is interrupted when his old friend and colleague Ed Brown, who is now ... See full summary »
Ironside is confined to a wheel chair (an attempted assassination left him paralyzed). With his former assistants Brown and Whitfield (later Belding) and former delinquent (and later lawyer) Mark, he combats crime for the San Francisco police from his mobile office (a van) while leaving a pot of chili cooking back at headquarters. Written by
Ed Stephan <email@example.com>
Steven Bochco, who would later became one of the most successful television producers of the 1980's and 90's, worked on the series very early in his career. He had been hired by Executive Producer Frank Price at the start of the first season to write a few extra minutes worth of scenes in the first six episodes, which were too short. After looking at these episodes, Bochco asked Price if it was really necessary for him to do this for all six because he didn't think the show would last that long. According to Bochco, Price was not happy with the remark and this was the start of a strained relationship between the two of them that continued when Price was in charge of Universal Television and Bochco was a writer there. See more »
I didn't know much about Ironside, apart from my mum, explaining to me what Raymond Burr did apart from Perry Mason. So, in 1999, the BBC started to do re-runs of it, and i watched a few, and I liked it alot. Channel five showed the 1967 TV Movie, and the Priest Killer (1971, scary and a bit controversial) and it was the best i've ever seen. It blows all the other cop shows out of the water, and quincy jones's score, is addictive. the support cast, proved their worth, especially Ed and Mark, and Eve's razor sharp wit. It shows that people (the characters) who are from different backgrounds Mark, a young black ex-con, Eve's upper class background, to Ed's (i'm assuming working class catholic boy, who lost his way when his fiance died) can gel quite well, but, that was what San Francisco was like from 1967 onwards, a melting pot, of people from different backgrounds.It is worthy of a big screen remake, but they have to it justice and not go for the starsky and hutch spoof hollywood have managed to botch together. It needs a director who is a fan, rather than somebody who sees this as another remake of an old show, it's more than that. and what i can't get, is that what actually happened to the actors from Ironside, Galloway has appeared on Perry Mason a couple of times, looking 10 years older than his real age! but in comparison to him in Ironside galloway aged 30 was a catch.
enough of my female observations. It's a great programme, but i think it needs to be brought to attention of a new audience, i'm 22 years old, and i think that the programmes of today are trash!!
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