| Photos (See all 4 | slideshow) | Videos (see all 194) |
| Jack Webb | ... | Sergeant Joe Friday / ... (103 episodes, 1951-1970) | |
| Harry Morgan | ... | Officer Bill Gannon (101 episodes, 1952-1970) |
Series Directed by | |||
| Jack Webb | (102 episodes, 1952-1970) | ||
Series Writing credits | ||
| Jack Webb | (98 episodes, 1967-1970) | |
| Robert C. Dennis | (19 episodes, 1967-1970) | |
| James Doherty | (13 episodes, 1968-1969) | |
| Michael Donovan | (11 episodes, 1968-1970) | |
| David H. Vowell | (9 episodes, 1967-1968) | |
| Burt Prelutsky | (8 episodes, 1968-1969) | |
| Henry Irving | (7 episodes, 1967-1968) | |
| Alf Harris | (7 episodes, 1968-1970) | |
| Preston Wood | (6 episodes, 1967-1969) | |
| Robert Soderberg | (3 episodes, 1968) | |
| James E. Moser | (2 episodes, 1952-1954) | |
| John Robinson | (2 episodes, 1955-1967) | |
| Sidney Morse | (2 episodes, 1967) | |
| Bill O'Hallaren | (2 episodes, 1967) | |
| Don Kilburn | (2 episodes, 1969-1970) | |
| Jack Barrett | (2 episodes, 1969) | |
Series Produced by | |||
| Jack Webb | .... | producer (98 episodes, 1967-1970) | |
| William Stark | .... | associate producer (52 episodes, 1968-1970) | |
| Robert A. Cinader | .... | associate producer (46 episodes, 1967-1969) | |
Series Original Music by | |||
| Frank Comstock | (52 episodes, 1968-1970) | ||
| Lyn Murray | (46 episodes, 1967-1969) | ||
Series Cinematography by | |||
| Alric Edens | (56 episodes, 1968-1970) | ||
| Andrew Jackson | (37 episodes, 1967-1968) | ||
| Benjamin H. Kline | (5 episodes, 1969) | ||
Series Film Editing by | |||
| William Stark | (39 episodes, 1967-1969) | ||
| Warren Adams | (23 episodes, 1969-1970) | ||
| Richard M. Sprague | (21 episodes, 1968-1969) | ||
| Larry Lester | (7 episodes, 1967) | ||
| Tony Martinelli | (4 episodes, 1968-1969) | ||
| Richard Bracken | (4 episodes, 1968) | ||
Series Art Direction by | |||
| John E. Chilberg II | (52 episodes, 1968-1970) | ||
| Russell Kimball | (46 episodes, 1967-1969) | ||
Series Set Decoration by | |||
| John McCarthy Jr. | (98 episodes, 1967-1970) | ||
| John Sturtevant | (81 episodes, 1967-1970) | ||
| Ralph Sylos | (17 episodes, 1967) | ||
Series Makeup Department | |||
| Larry Germain | .... | hair stylist (98 episodes, 1967-1970) | |
| Bud Westmore | .... | makeup artist (98 episodes, 1967-1970) | |
Series Production Management | |||
| Edward K. Dodds | .... | unit manager (60 episodes, 1967-1970) | |
| Hilton A. Green | .... | unit manager (17 episodes, 1967) | |
| Will Sheldon | .... | unit manager (11 episodes, 1969) | |
Series Second Unit Director or Assistant Director | |||
| Mel A. Bishop | .... | assistant director (81 episodes, 1967-1970) | |
| Edward K. Dodds | .... | assistant director (17 episodes, 1967) | |
Series Sound Department | |||
| John Erlinger | .... | sound (98 episodes, 1967-1970) | |
Series Camera and Electrical Department | |||
| John Orland | .... | cinematographer: intro sequence (22 episodes, 1969-1970) | |
| Earl C. Williman | .... | lamp operator (17 episodes, 1967) | |
Series Costume and Wardrobe Department | |||
| Vincent Dee | .... | costume supervisor (98 episodes, 1967-1970) | |
Series Editorial Department | |||
| Richard Belding | .... | editorial supervisor (98 episodes, 1967-1970) | |
| Robert Brower | .... | color coordinator (98 episodes, 1967-1970) | |
Series Music Department | |||
| Walter Schumann | .... | composer: theme music / composer: "Dragnet" theme (98 episodes, 1967-1970) | |
| Stanley Wilson | .... | musical supervision / music supervision / ... (98 episodes, 1967-1970) | |
Series Transportation Department | |||
| Chris Haynes | .... | driver (2 episodes, 1969) | |
Series Other crew | |||
| Tom Williams | .... | assistant to producer / production assistant (98 episodes, 1967-1970) | |
| Tom Reddin | .... | technical advisor: Los Angeles Police Department (67 episodes, 1967-1969) | |
| Edward M. Davis | .... | technical advisor: Los Angeles Police Department (26 episodes, 1969-1970) | |
| Thad Brown | .... | technical advisor: Los Angeles Police Department (5 episodes, 1967) | |
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| In Cold Blood | The Onion Field | Capote | "Dragnet" | Magnum Force |
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This series has taken a rap from latter-day critics, who can't stand that it's not "Dragnet" (1952). A few misguided souls actually view it as "camp comedy," and the terminally hip scoff at Sgt. Friday's rabid anti-drug stance.
What makes this series rise above such criticism is the sincerity of all players, its dead-on realism in every situation and performance, and the fact that each story is TRUE. As with practically everything Jack Webb did, this show was ahead of its time in many ways. "Dragnet 1967-70" preached "just say no" twenty years before it became fashionable. Friday's assertions about the addictive nature of drugs, and that marijuana users tend to move on to harder stuff, is still borne out by statistics. The absence of gunplay and wild car chases underscore what a cop's day-to-day life REALLY is. Best of all, the chemistry between Webb and Harry Morgan is unbeatable.
Yes, a lot of the same actors are used over and over, but that was just as true in the 1950's version. Members of the LAPD, and other police departments, assert that "Dragnet" and "Adam-12" (also a Webb production) are still TV's most realistic cop shows. Forget what you've read before and give this version of "Dragnet" a try.