| Photos (See all 14 | slideshow) | Videos (see all 24) |
| Edward Woodward | ... | David Callan (43 episodes, 1967-1972) | |
| Russell Hunter | ... | Lonely (41 episodes, 1967-1972) | |
| Lisa Langdon | ... | Liz March (31 episodes, 1967-1972) | |
| Anthony Valentine | ... | Toby Meres (30 episodes, 1967-1972) | |
| William Squire | ... | Hunter #4 (19 episodes, 1970-1972) |
Series Directed by | |||
| Peter Duguid | (11 episodes, 1967-1972) | ||
| Jim Goddard | (6 episodes, 1969-1972) | ||
| Mike Vardy | (6 episodes, 1969-1972) | ||
| Bill Bain | (4 episodes, 1967-1972) | ||
| Reginald Collin | (4 episodes, 1969-1972) | ||
| Piers Haggard | (3 episodes, 1967-1970) | ||
| Robert Tronson | (3 episodes, 1967-1969) | ||
| Voytek | (3 episodes, 1970-1972) | ||
| Tony Robertson | (unknown episodes) | ||
Series Writing credits | ||
| James Mitchell | (30 episodes, 1967-1972) | |
| Ray Jenkins | (5 episodes, 1969-1972) | |
| Bill Craig | (5 episodes, 1970-1972) | |
| Robert Banks Stewart | (3 episodes, 1967-1969) | |
| Trevor Preston | (3 episodes, 1969-1972) | |
| John Kershaw | (2 episodes, 1969-1972) | |
| William Emms | (2 episodes, 1969-1970) | |
| Michael Winder | (2 episodes, 1969-1970) | |
Series Produced by | |||
| Reginald Collin | .... | producer (35 episodes, 1969-1972) | |
| John Kershaw | .... | associate producer (14 episodes, 1969) | |
| Lloyd Shirley | .... | executive producer (8 episodes, 1967-1969) | |
| Terence Feely | .... | associate producer (7 episodes, 1967-1969) | |
Series Original Music by | |||
| Jack Trombey | (unknown episodes, 1970-1972) | ||
Series Cinematography by | |||
| Michael Elphick | (1 episode, 1969) | ||
Series Production Design by | |||
| David Marshall | (9 episodes, 1967-1972) | ||
| Peter Le Page | (6 episodes, 1967-1972) | ||
| Neville Green | (6 episodes, 1969-1972) | ||
| Stan Woodward | (5 episodes, 1969-1972) | ||
| Mike Hall | (4 episodes, 1969-1972) | ||
| Darrell Lass | (2 episodes, 1967) | ||
| Terry Gough | (2 episodes, 1969) | ||
| David Chandler | (unknown episodes) | ||
| John Kershaw | (unknown episodes) | ||
Series Art Department | |||
| Andy Armstrong | .... | props (unknown episodes) | |
Series Sound Department | |||
| Tony Dawe | .... | sound designer (unknown episodes) | |
Series Stunts | |||
| Alan Chuntz | .... | fight arranger (1 episode, 1972) | |
Series Other crew | |||
| George Markstein | .... | story editor (22 episodes, 1970-1972) | |
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| "The Avengers" | On Her Majesty's Secret Service | Johnny English | The Ipcress File | Alex Rider: Operation Stormbreaker |
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| Episode guide | Full cast and crew | Company credits |
| External reviews | News articles | IMDb TV section |
| IMDb Crime section | IMDb UK section |
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Callan was a very dark series which has never been given the credit it deserved. I'm glad to see the series on DVD here in England because it is a series I would recommend to anyone who wasn't born when it first aired.
A pre-Equalizer Edward Woodward played Callan who was an agent for British Intelligence. He was no James Bond however; Callan's was a dark world where everyone had their own agenda and no-one could be trusted. Things were not black and white; there were plenty of shades of grey. Unlike James Bond, Callan didn't have a posh car, plenty of beautiful women and he didn't get to jet off to sunny locations. Callan hated his job, he had no choice but to work for British Intelligence (watch the first episodes to see why that is). He was a good man deep down and cared about people but he was constantly required to lie and deceive people and cheat. He was given the dirty jobs no-one else wanted and whilst his superior (a man called Hunter, played by various actors)knew that Callan was good at his job, he also didn't care about Callan at all. Callan was a loner.
The premise was very interesting indeed. Callan was reluctantly doing a dirty job and his emotions came into conflict with his job at times. It was fascinating viewing.
Over the years there have been many dark series where you can never be sure who is good and who is bad. In a way, I guess it is indicative of the times we are living in. However, I think it is important to remember that Callan was the benchmark for many of the dark and pessimistic shows we see today and without Callan, many of them would not have arisen.